Monday, November 24, 2025

Camilo José Vergara

Camilo José Vergara
65 East 125th Street, Harlem
1977
inkjet print
Smithsonian American Art Museum, Washington DC


Camilo José Vergara
65 East 125th Street, Harlem
1978
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1980
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1980
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1981
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1983
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1988
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1990
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1992
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1994
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1995
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1996
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1997
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
1998
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2001
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2001
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2002
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2004
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2007
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2009
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2009
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2011
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2014
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2015
inkjet print
Smithsonian American Art Museum, Washington DC

Camilo José Vergara
65 East 125th Street, Harlem
2016
inkjet print
Smithsonian American Art Museum, Washington DC

Roma

Again and again I kiss thy gates at departing
And against our will leave thy holy door-stone,
Praying in tears and with praises
            such words as can pierce our tears.

Hear us, Queen, fairest in all the earth, Roma,
Taking post twixt the sky's poles,
Nurse of men! Mother of gods,
                                    do thou hear us.
Ever we hymn thee and will, while the Fates can have power.
No guest can forget thee.
            It were worse crime than forgetting the sun
If we ceased holding thy honor in heart,
Thou impartial as sunlight to the splash of all outer sea-bords. 
All that Apollo over-rides in his quadriga
Hast thou combined into equity:
Many strange folk in one fatherland,
To their good, not seeking to dominate;
Gavest law to the conquered as consorts;
Made city what had been world. 

They say that Venus was thy mother, that is by Aeneas,
Mars for father hadst'ou through Romulus,
Making mild armed strength, she in conquest:
One god in two natures;
                                    Joy out of strife by sparing
O'ercamest the sources of terror
In love with all that remains.

– Rutilius Claudius Namatianus was born in Gaul in the late fourth century AD and held high office at the court of Honorius.  His poem of return from Rome, De Reditu Suo, contains a famous tribute to the city written shortly after its siege and sack by Alaric the Goth in AD 410.  The translation is by Ezra Pound (1963).