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| Mark Rothko The Party 1938 oil on canvas National Gallery of Art, Washington DC |
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| Pablo Picasso Glass, Vase and Fruit 1937 oil on canvas Buffalo AKG Art Museum, New York |
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| Walker Evans Portrait of artist Anne Harvey 1937 gelatin silver print Metropolitan Museum of Art, New York |
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| George Platt Lynes Mr and Mrs Russell Lynes ca. 1939 gelatin silver print Metropolitan Museum of Art, New York |
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| Pavel Tchelitchew for Steuben Glass Works Vase with Acrobats 1939 glass Victoria & Albert Museum, London |
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| Sophie Tauber-Arp Le Vase 1935 painted wood relief National Gallery of Art, Washington DC |
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| Wolfgang Suschitzky Charing Cross Road ca. 1936 gelatin silver print Scottish National Portrait Gallery, Edinburgh |
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| August Sander Farmer 1936 gelatin silver print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Brassaï La Colonne Morris dans le brouillard 1932 gelatin silver print Metropolitan Museum of Art, New York |
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| Man Ray Arm 1935 gelatin silver print Metropolitan Museum of Art, New York |
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| Albert Renger-Patzsch Lepiota procera ca. 1930 gelatin silver print Metropolitan Museum of Art, New York |
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| Theodore Roszak Study for Airport 1934 gouache and ink on paper Whitney Museum of American Art, New York |
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| Konstantin Somov Russian Ballet 1930 gouache on paper Ashmolean Museum, Oxford |
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| Henry Tonks Study of Pollard Willows on Riverbank before 1936 drawing British Museum |
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| Humphrey Spender Women with Children, Glasgow 1939 gelatin silver print Scottish National Portrait Gallery, Edinburgh |
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| Ancell Stronach Portrait of designer Peter Wylie Davidson 1934 oil on canvas Scottish National Portrait Gallery, Edinburgh |
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| Elsa Schiaparelli Jacket 1937 silk taffeta, leather appliqué, plastic Metropolitan Museum of Art, New York |
Again, I believe that all that use sorceries, incantations and spells are not Witches or, as we term them, Magicians. I conceive there is a traditional Magicke, not learned immediately from the Devil, but at second hand from his Scholars, who having once the secret betrayed are able and do empirically practice without his advice, they both proceeding upon the principles of nature: where actives, aptly conjoined to disposed passives, will under any Master produce their effects. Thus I think at first a great part of Philosophy was Witchcraft, which being afterward derived from one to another, proved but Philosophy, and was indeed no more than the honest effects of Nature. What invented by us is Philosophy, learned from him is Magicke. We do surely owe the honour of many secrets to the discovery of good and bad Angels.
– Sir Thomas Browne, from Religio Medici (1642)