Saturday, July 11, 2026

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Alex Katz
Upside-Down Ada
1965
oil on linen
Museum of Modern Art, New York


Alen MacWeeney
Chimney Sweep and Children, Ireland
ca. 1965-66
gelatin silver print
Loeb Art Center, Vassar College, Poughkeepsie, New York

Jusepe de Ribera
St James the Greater
ca. 1634
oil on canvas
Museo de Bellas Artes de Sevilla

Thomas Lawrence
Self Portrait
ca. 1799
drawing
Ashmolean Museum, Oxford

Zofia Kulik
The Splendor of Myself II
1997
photomontage
Museum of Modern Art, New York

Gerhard Richter
Brigid Polk
1971
oil on linen
San Francisco Museum of Modern Art

Oscar Gustave Rejlander
Character Study
ca. 1855
albumen print
Princeton University Art Museum

Alice Neel
Portrait of composer William Walton
1967
oil on canvas
National Gallery of Art, Washington DC

Giambattista Moroni
Portrait of a Man at age 29
1567
oil on canvas
Accademia Carrara, Bergamo

Robert Mapplethorpe
Francesca Thyssen
1981
gelatin silver print
Scottish National Gallery of Modern Art, Edinburgh

Daniel Macnee
Lady in Gray
1859
oil on canvas
Scottish National Gallery, Edinburgh

Auguste Renoir
Portrait of Madame Henriot
ca. 1876
oil on canvas
National Gallery of Art, Washington DC

Elizabeth Peyton
Marc Jacobs
2003
etching on pink paper
National Portrait Gallery, Washington DC

Carl Larsson
Self Portrait
1906
oil on canvas
Gallerie degli Uffizi, Florence

William McTaggart
Portrait of Mrs William Lawrie
1881
oil on canvas
Scottish National Gallery, Edinburgh

attributed to Raphael
Portrait of Pietro Perugino
ca. 1504-1506
oil on panel
Gallerie degli Uffizi, Florence

Irving Penn
Jasper Johns
2006
gelatin silver print
Museum of Modern Art, New York

from Argument

    For those capable of levitation; for those who have days of collapse; for those whose impulses are negative,
            Fair Maid of Kent, hear us.

    For those who elect to live in the bower; for those on the hill; for those who return to the epoch of the poisoner,
            O Man laden with Mischief, hear us.

    For those who take vows of silence; for those who do not; for those who visit churches after the death of sons,
            O Marquis of Granby, hear us.

    For all parasites and carrion feeders, for the double rose and for domesticated animals,
            O Green Man, hear us.

    And that it may please thee to calm this people,
            George, we beseech thee to hear us. 

– W.H. Auden, The Orators (1931)