Tuesday, September 29, 2026

Visual Preferences (20th Century: 1983)

Richard Anuszkiewicz
Temple of Red with Orange
1983
acrylic on panel
Phoenix Art Museum, Arizona

Don Bachardy
Christopher Isherwood
1983
acrylic on canvas
Crocker Art Museum, Sacramento, California

Francis Bacon
Seated Figure
1983
etching
(adaptation of an earlier painting)
Lowe Art Museum, University of Miami

Richard Bosman
Double Trouble
1983
woodcut
Weatherspoon Art Museum, Greensboro, North Carolina

Wil Bouthoorn
Grimm Fairytale
1983
oil on panel
Kunstmuseum, The Hague

Marilyn Bridges
Monument Valley, Arizona
1983
gelatin silver print
New Britain Museum of American Art, Connecticut

James Brooks
Bharatt
1983
acrylic on canvas
Portland Museum of Art, Maine

William Christenberry
Red Building in Forest, Hale County, Alabama
1983
C-print
Akron Art Museum, Ohio

Charles Clough
8 Dextram
1983
enamel over color photograph
Phoenix Art Museum, Arizona

Willem De Kooning
Untitled XLVII
1983
oil on canvas
Pinakothek der Moderne, Munich

Richard Diebenkorn
Ochre
1983
color woodblock print
San Jose Museum of Art, California

Jim Dine
A Heart at the Opera
1983
lithograph
McNay Art Museum, San Antonio, Texas

Don DuBroff
Oriental Theatre, Milwaukee, Wisconsin
1983
C-print
Art Institute of Chicago

Michael Eastman
Marcella's Resort
1983
C-print
Art Institute of Chicago

John Eide
Jardin du Luxembourg, Paris
1983
gelatin silver print
Portland Museum of Art, Maine

John Eide
Le Bassin de Latone, Versailles
1983
gelatin silver print
Portland Museum of Art, Maine

from Five Songs

"When rites and melodies begin,
     To alter modes and times,
And timid bar-flies boast aloud
     Of uncommitted crimes,
And leading families are proud
     To dine with their black sheep,
What promises, what discipline,
     If any, will Love keep?"
          So roared Fire on their right:
               But Tamino and Pamina
               Walked past its rage,
          Sighing O, sighing O,
     In timeless fermatas of awe and delight
          (Innocent? Yes. Ignorant? No.)
               Down the grim passage.

"When stinking Chaos lifts the latch,
     And Grotte backward spins,
And Helen's nose becomes a beak,
     And cats and dogs grow chins,
And daisies claw and pebbles shriek
     And Form and Color part,
What swarming hatreds then will hatch
     Out of Love's riven heart?"
          So hissed Water on their left:
               But Pamina and Tamino 
               Opposed its spite
          With his worship, with her sweetness –
     O look now! See how they emerge from the cleft
          (Frightened? No. Happy? Yes.)
               Out into sunlight. 

– W.H. Auden (1953)