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| Auguste Renoir Portrait of Romaine Lacaux 1864 oil on canvas Cleveland Museum of Art, Ohio |
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| Anonymous Photographer Panorama of Versailles ca. 1880 hand-colored albumen print Kunstbibliothek, Staatliche Museen zu Berlin |
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| Anonymous German Printmaker Portrait of Amerigo Vespucci with World Map 1507 engraving Max Planck Institute for Art History, Florence |
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| Edward Burne-Jones Study for The Call of Perseus ca. 1875 drawing Art Gallery of South Australia, Adelaide |
-1917-drawing-Museum-f%C3%BCr-Angewandte-Kunst-Vienna.jpg) |
| Leopold Forstner View into a Lane in Rijeka (Croatia) 1917 drawing Museum für Angewandte Kunst, Vienna |
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| Heinrich Friedrich Füger Hercules ascending to Olympian Status ca. 1790 oil on canvas Deutsche Barockgalerie, Augsburg |
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| James Thomas Linnell Job and the Messengers ca. 1851 oil on canvas Princeton University Art Museum |
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| Carlo Maratti St Peter in the Mamertine Prison baptising St Processus and St Martinian ca. 1695-96 drawing Museum of Fine Arts, Budapest |
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| Ernst Ludwig Kirchner Half-Figures in the Street ca. 1910-11 colored chalks Kupferstichkabinett, Staatliche Museen zu Berlin |
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| Giovanni Battista Montanari St George and St Theodore ca. 1600-1610 drawing Princeton University Art Museum |
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| Francesco Ponte Costume Design for the opera Solimano ca. 1753 watercolor on paper Graphische Sammlung Albertina, Vienna |
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| František Tkadlík Académie 1818 drawing Národní Galerie, Prague |
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| Susan Watkins Académie ca. 1897 drawing Chrysler Museum of Art, Norfolk, Virginia |
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| Julius Schnorr von Carolsfeld Académie 1820 drawing Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
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| Nora Heysen Académie ca. 1935 drawing Art Gallery of New South Wales, Sydney |
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| Johann Gottfried Bodenehr Portrait of Frantz Läubler (murderer awaiting execution) ca. 1726 mezzotint Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden |
from Thunder by the Musician
The sky would be full of bodies like wood.
There would have been the cries of the dead
And the living would be speaking,
As a self that lives on itself.
And the living would be speaking,
As a self that lives on itself.
It would have been better for his hands
To be convulsed, to have remained the hands
Of one wilder than the rest (like music blunted,
Yet the sound of that).
– Wallace Stevens (1942)