Showing posts with label 21st century. Show all posts
Showing posts with label 21st century. Show all posts

Thursday, November 28, 2024

Chromogenic

Judith Affolter
Lovers #10
2020
C-print
Museum Folkwang, Essen

Darren Almond
Fullmoon @ Farm
2003
C-print
Museum Folkwang, Essen

Claudia Angelmaier
Uta
2013
C-print
Museum Folkwang, Essen

Peter Cornelius
Quai de Montebello, Paris
ca. 1957
C-print
Museum Folkwang, Essen

Thomas Demand
Detail II
1996
C-print
Museum Folkwang, Essen

Rineke Dijkstra
Ostend, Belgium, August 7, 1992
1992
C-print
Museum Folkwang, Essen

William Eggleston
Memphis
1965
C-print
Museum Ludwig, Cologne

Ernst Haas
The Rose
1970
C-print
Museum Ludwig, Cologne

Candida Höfer
TV Lounge, Scarborough
1980
C-print
Museum Folkwang, Essen

Martin Parr
Midsummer Madness
(series, Home and Abroad - Cost of Living)
1989
C-print
Museum Folkwang, Essen

Irving Penn
Red Apples, New York
1985
C-print
Museum Folkwang, Essen

Thomas Ruff
Machine 9046
2003
C-print
Museum Folkwang, Essen

Hajime Sawatari
Untitled
1973
C-print
Museum Ludwig, Cologne

Wolfgang Tillmans
Central Line
2000
C-print
Museum Folkwang, Essen

Jeff Wall
Woman and her Doctor
1980-81
C-print
Museum Ludwig, Cologne

Tobias Zielony
Corner
2003
C-print
Museum Folkwang, Essen

All Things can tempt Me

All things can tempt me from this craft of verse: 
One time it was a woman's face, or worse –
The seeming needs of my fool-driven land;
Now nothing but comes readier to the hand
Than this accustomed toil. When I was young,
I had not given a penny for song
Did not the poet sing it with such airs
That one believed he had a sword upstairs;
Yet would be now, could I but have my wish,
Colder and dumber and deafer than a fish.

– W.B. Yeats (1910)

Sunday, November 17, 2024

Museums Collecting Millennial Art

Elizabeth Peyton
Ben Drawing
2001
oil on board
Carnegie Museum of Art, Pittsburgh

Frank Nitsche
GOB-25-2002
2002
oil on canvas
Museum Ludwig, Cologne

Karen LaMonte
Reclining Dress Impression
2009
cast glass
Chrysler Museum of Art, Norfolk, Virginia

Neo Rauch
Rückkehr
2004
oil on paper
Carnegie Museum of Art, Pittsburgh

Gé-Karel van der Sterren
Untitled
2007
oil and acrylic on canvas
Museum De Lakenhal, Leiden

Joe Zucker
Black Volcano
2005
acrylic paint poured into wooden compartments on panel
Museum Ludwig, Cologne

Bernard Schultze
Tropical Monuments
2000
oil on canvas
Museum Ludwig, Cologne

Kim Krause
Found Credo: Study for Scroll
2002
acrylic and ink on paper
Cincinnati Art Museum, Ohio

Herbert Brandl
Untitled
2001
oil on canvas
Graphische Sammlung Albertina, Vienna

Johannes Wohnseifer
Dead in 2002
2003
acrylic on aluminum
Museum Ludwig, Cologne

Candida Höfer
Hotel Philadelphia III
2000
C-print
Museum Ludwig, Cologne

Gerhard Richter
Eleven Panes
2003
glass and wood
Museum Ludwig, Cologne

Jörg Immendorff
Untitled
2005
oil on canvas
Graphische Sammlung Albertina, Vienna

Diango Hernández
Sailors
2016
mural in acrylics
Museum Ludwig, Cologne

Diango Hernández
Sailors
2016
mural in acrylics
Museum Ludwig, Cologne

Diango Hernández
Sailors
2016
mural in acrylics
Museum Ludwig, Cologne

The Lamentation of the Old Pensioner 

Although I shelter from the rain
Under a broken tree,
My chair was nearest to the fire
In every company
That talked of love or politics,
Ere Time transfigured me.

Though lads are making pikes again
For some conspiracy,
And crazy rascals rage their fill
At human tyranny;
My contemplations are of Time
That has transfigured me.

There's not a woman turns her face
Upon a broken tree,
And yet the beauties that I loved
Are in my memory;
I spit into the face of Time
That has transfigured me.

– W.B. Yeats (1893)

Sunday, March 10, 2024

Visual Relics (1998-2011)

Julia Fish
Entry (Fragment One)
1998
oil on canvas
Art Institute of Chicago

Julian Opie
Imagine you are walking
1998-99
screenprint
Tate Gallery

Sol LeWitt
Parallel Curves
2000
lithograph and aquatint
Milwaukee Art Museum

William Kentridge
Procession Canvas Diptych
2000
paint, charcoal and collage on canvas
Art Institute of Chicago

Alex Katz
Yellow House 2
2001
oil on linen
Art Institute of Chicago

Sean Scully
Niels
2001
oil on canvas
Phillips Collection, Washington DC

Sean Scully
Barcelona Day
2005
color aquatint
Princeton University Art Museum

Sean Scully
Day
2005
color aquatint
Phillips Collection, Washington DC

Karin Davie
Pushed, Pulled, Depleted & Duplicated #7
2002-2003
oil on canvas
Albright-Knox Art Gallery, Buffalo, New York

Brian Alfred
Office Party
2003
acrylic on canvas
Albright-Knox Art Gallery, Buffalo, New York

Robert Andrew Parker
Acrobats
2005
watercolor
Art Institute of Chicago

Jules de Balincourt
Not Yet Titled
2007
oil on panel
Brooklyn Museum

David Rathman
Exit
2008
watercolor
Minneapolis Institute of Art

Byron Kim
Synecdoche
2008
oil paint and wax on 36 wood panels
Albright-Knox Art Gallery, Buffalo, New York

William Christenberry
Green Warehouse, Newbern, Alabama
2008
encaustic on panel
Los Angeles County Museum of Art

Caj Bremer for Vallila Interior, Helsinki
Lumihuntu
2011
printed cotton and polyester blend
Minneapolis Institute of Art

Incontinently after, Jupiter commanded Mercury to bring up Psyche, the spouse of Cupid, into the Pallace of heaven. And then he took a pot of immortality, and said, Hold Psyche, and drinke, to the end thou maist be immortall, and that Cupid may be thine everlasting husband. By and by the great banket and marriage feast was sumptuously prepared, Cupid sate downe with his deare spouse betweene his armes: Juno likewise with Jupiter, and all the other gods in order, Ganimedes filled the pot of Jupiter, and Bacchus served the rest. Their drinke was Nectar, the wine of the gods, Vulcanus prepared supper, the howers decked up the house with roses and other sweet smells, the graces threw about balme, the Muses sang with sweet harmony, Apollo tuned pleasantly to the Harpe, Venus danced finely: Sitirus and Paniscus plaid on their pipes: and thus Psyche was married to Cupid, and, after, she was delivered of a child whom we call Pleasure. 

– Apuleius, The Golden Ass, translated by William Adlington (1566)

Monday, February 19, 2024

Visual Relics (2005-2015)

Alec Soth
Terrace Court
2005
C-print
Albright-Knox Art Gallery, Buffalo, New York

Alec Soth
The Voyageur
2005
C-print
Albright-Knox Art Gallery, Buffalo, New York

Richard Bailey
Cate Blanchett
2006
C-print
National Gallery of Victoria, Melbourne

Boyd Webb
Red
2006
C-print
National Gallery of Victoria, Melbourne

Joakim Eneroth
Retitled 1
2008
C-print
Brooklyn Museum

Luis Mallo
BM (5G31)
(storage at Brooklyn Museum)
2008
C-print
Brooklyn Museum

Lawrence Merrill
New York City
2008
inkjet print
Yale University Art Gallery

Erwin Olaf
Apolonia - Zurbarán
2008
giclée print
Phillips Collection, Washington DC

Lydia Panas
Mother
2008
C-print
Brooklyn Museum

Yinka Shonibare
The Sleep of Reason produces Monsters
(after Goya)
2008
C-print
National Gallery of Victoria, Melbourne

Yinka Shonibare
Fake Death Picture
(after The Death of Chatterton by Henry Wallis)
2011
C-print
Yale University Art Gallery

Ross Bleckner
Untitled
2009
C-print
Phillips Collection, Washington DC

Richard Learoyd
After Ingres II
2010
Ilfochrome print
Albright-Knox Art Gallery, Buffalo, New York

Neeta Madahar
Sian with Bluebells
2010
C-print
Yale Center for British Art

Bruce Jackson
Marine Tower - American Elevator
2011
giclée print
Albright-Knox Art Gallery, Buffalo, New York

Ian Strange
Lake Road
2013
digital print
National Gallery of Victoria, Melbourne

Jimmy Limit
Fruit and Ceramic Arrangement 4
2014
inkjet print
Albright-Knox Art Gallery, Buffalo, New York

Cuny Janssen
Bussum, Netherlands
2015
inkjet print
Yale University Art Gallery

But Venus, the bright goddess, bearing gifts,
drew near in airy clouds; and when far off
she saw her son in a secluded valley,
withdrawn beside a cooling stream, then she
showed herself freely to him, saying this:
"You see, my son, these perfect offerings,
my husband's promised art; then do not doubt
but dare brave Turnus and the proud Laurentians
to battle." These were Cytherea's words. 
She sought her son's embraces, then set up
his glittering arms beneath a facing oak.

– Venus brings Aeneas divine weapons, from Book VIII of Virgil's Aeneid, translated by Allen Mandelbaum (1971)