Showing posts with label Bible. Show all posts
Showing posts with label Bible. Show all posts

Tuesday, July 2, 2024

Biblical Figures

Francesco del Cossa
St John the Baptist
ca. 1470-73
tempera on panel
(altarpiece fragment)
Pinacoteca di Brera, Milan

Master of the Griselda Legend
Joseph in Egypt
ca. 1490-95
oil on panel, transferred to canvas
National Gallery of Art, Washington DC

Donato Bramante
Christ at the Column
ca. 1490-95
oil on panel
Pinacoteca di Brera, Milan

Bernardino Luini
The Drunkenness of Noah
ca. 1510-15
oil on panel
Pinacoteca di Brera, Milan

Matthias Grünewald
The Small Crucifixion
ca. 1511-20
oil on panel
National Gallery of Art, Washington DC

Andrea del Sarto
St John the Baptist
ca. 1517
oil on panel, transferred to canvas
Worcester Art Museum, Worcester, Massachusetts

Cornelis van Haarlem
Susanna and the Elders
ca. 1599
oil on canvas
National Gallery of Canada, Ottawa

Jan Lievens
Job
1631
oil on canvas
National Gallery of Canada, Ottawa

Pietro Antonio de Pietri
Study for the Resurrection of Christ
ca. 1695
drawing
Chrysler Museum of Art, Norfolk, Virginia

Anonymous Austrian Artist
Mourning Virgin
ca. 1710-40
carved and painted stone
Cleveland Museum of Art, Ohio

Anton Raphael Mengs
Young St John the Baptist in the Wilderness
1753-54
oil on panel
Museo del Prado, Madrid

Franz Ignaz Günther
Christ at the Column
1754
carved and painted lindenwood
Detroit Institute of Arts

Pierre Puvis de Chavannes
Salome
at the Beheading of John the Baptist

1856
oil on panel
Museum Boijmans Van Beuningen, Rotterdam

Theodore Clement Steele
Study of Model posed for the Crucifixion
1881
drawing
Indianapolis Museum of Art

George Frederic Watts
Adam and Eve before the Temptation
1896
oil on canvas
National Gallery of Canada, Ottawa

Lovis Corinth
The Crucifixion
1921-22
drypoint
(study for altarpiece painting)
Scottish National Gallery of Modern Art, Edinburgh

Arroyo Seco

A piano, so long untuned
it sounded like a guitar
was playing Für Elise:
the church was locked: graves
on which the only flowers
were the wild ones
except for the everlasting
plastic wreaths and roses,
the bleached dust making
them gaudier than they were
and they were gaudy:

          SILVIANO
        we loved him
           LUCERO

and equal eloquence in
the quotation, twisted and
cut across two pages
in the statuary book:

         THY | LIFE
       WILL | BE
           DO | NE
 
– Charles Tomlinson (1966)

Saturday, March 18, 2023

Biblical Conflicts

Polidoro da Caravaggio
Bears devouring a Child
(fulfilling the curse of the prophet Elisha)
before 1543
drawing
Musée du Louvre

"And [Elisha] went up from thence unto Bethel: and as he was going up by the way, there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head.  And he turned back, and looked on them, and cursed them in the name of the Lord.  And there came forth two she bears out of the wood, and tare forty and two children of them."  

Second Book of Kings, chapter two

Anonymous Netherlandish Artist
Christ banishing Evil Spirits from Afflicted Man into Pigs
16th century
drawing
(design for painted window)
Musée du Louvre

"And [Jesus] asked him, What is thy name?  And he answered, saying, My name is Legion: for we are many.  And he besought him much that he would not send them away out of the country.  Now there was there nigh unto the mountains a great herd of swine feeding.  And all the devils besought him, saying, Send us into the swine, that we may enter into them.  And forthwith Jesus gave them leave.  And the unclean spirits went out and entered into the swine: and the herd ran violently down a steep place into the sea (they were about two thousand) and were choked in the sea."

Book of Mark, chapter five

Anonymous Venetian Artist
Expulsion of Heliodorus from the Temple
ca. 1550-1600
oil on canvas
York City Art Gallery

"Now as [Heliodorus] was there present himself with his guard about the treasury, the Lord of spirits and the Prince of all power caused a great apparition, so that all that presumed to come in with him were astonished at the power of God, and fainted, and were sore afraid.  For there appeared unto them an horse with a terrible rider upon him, and adorned with a very fair covering, and he ran fiercely, and smote at Heliodorus with his forefeet, and it seemed that he that sat upon the horse had complete harness of gold.  Moreover two other young men appeared before him, notable in strength, excellent in beauty, and comely in apparel, who stood by him on either side and scourged him continually, and gave him many sore stripes."

Second Book of Maccabees, chapter three

Michel Corneille the Elder
St Paul and St Barnabas rejecting Pagan Worship at Lystra
ca. 1644
drawing
Musée du Louvre

"And when the people saw what Paul had done, they lifted up their voices, saying in the speech of Lycaonia, The gods are come down to us in the likeness of men.  And they called Barnabas, Jupiter; and Paul, Mercurius, because he was the chief speaker.  Then the priest of Jupiter, which was before their city, brought oxen and garlands unto the gates, and would have done sacrifice with the people.  Which when the apostles Barnabas and Paul heard of, they rent their clothes, and ran in among the people, crying out and saying, Sirs, why do ye these things?  We also are men of like passions with you, and preach unto you that ye should turn from these vanities unto the living God, which made heaven and earth and the sea and all things that are therein  . . .  And with these sayings scarce restrained they the people, that they had not done sacrifice unto them."

Book of Acts, chapter fourteen

Ludovico Carracci
Jael and Sisera
ca. 1580-1600
drawing
Musée du Louvre

"And Jael went out to meet Sisera, and said unto him, Turn in, my lord, turn in to me; fear not.  And when he had turned in unto her into the tent, she covered him with a mantle.  And he said unto her, Give me, I pray thee, a little water to drink; for I am thirsty.  And she opened a bottle of milk, and gave him drink, and covered him.  And again he said unto her, Stand in the door of the tent, and it shall be when any man doth come and enquire of thee and say, Is there any man here? that thou shalt say, No.  Then Jael, Heber's wife, took a nail of the tent, and took an hammer in her hand, and went softly unto him, and smote the nail into his temples, and fastened it into the ground: for he was fast asleep and weary.  So he died."

Book of Judges, chapter four

Antonio Molinari
The Child Moses trampling on Pharaoh’s Crown
ca. 1690-1700
drawing
Museum Kunstpalast, Düsseldorf

"Thermuthis, therefore, perceiving him to be so remarkable a child, adopted him for her son, having no child of her own.  And when one time she had carried Moses to her father [the Pharaoh], she showed him to him, and said she thought to make him her father's successor, if it should please God she should have no legitimate child of her own.  . . .  And when she had said this, she put the infant into her father's hands; so he took him, and hugged him close to his breast, and on his daughter's account, in a pleasant way, put his diadem upon his head; but Moses threw it down to the ground, and, in a puerile mood he wreathed it round, and trod upon it with his feet, which seemed to bring along with it an evil presage concerning the kingdom of Egypt."

– from the Antiquities of Josephus

Palma il Giovane
God the Father reproaching Adam and Eve
before 1628
drawing
Musée du Louvre

"And they heard the voice of the Lord God walking in the garden in the cool of the day: and Adam and his wife hid themselves from the presence of the Lord God amongst the trees of the garden.  And the Lord God called unto Adam, and said unto him, Where art thou?  And he said, I heard thy voice in the garden, and I was afraid, because I was naked, and I hid myself.  And he said, Who told thee that thou wast naked?  Has thou eaten of the tree, whereof I commanded thee that thou shouldest not eat?"

Book of Genesis, chapter three

Jan van Somer
Judah and Tamar
before 1699
mezzotint
Rijksmuseum, Amsterdam

"And it was told Tamar, saying, Behold thy father in law goeth up to Timnath to shear his sheep.  And she put her widow's garments off her, and covered her with a vail, and wrapped herself, and sat in an open place, which is by the way to Timnath.  . . .  When Judah saw her, he thought her to be an harlot; because she had covered her face.  And he turned unto her by the way, and said, Go to, I pray thee, let me come in unto thee (for he knew not that she was his daughter in law).  And she said, What wilt thou give me, that thou mayest come in unto me?  And he said, I will send thee a kid from the flock.  And she said, Wilt thou give me a pledge, till thou send it?  And he said, What pledge shall I give thee?  And she said, Thy signet, and thy bracelets, and thy staff that is in thine hand.  And he gave it her, and came in unto her, and she conceived by him."

Book of Genesis, chapter thirty-eight

Antonio Zanchi
David and Goliath
ca. 1650-1700
oil on canvas
private collection

"And David put his hand in his bag, and took thence a stone, and slang it, and smote the Philistine in his forehead, that the stone sunk into his forehead; and he fell upon his face to the earth.  So David prevailed over the Philistine with a sling and with a stone, and smote the Philistine, and slew him; but there was no sword in the hand of David.  Therefore David ran, and stood upon the Philistine, and took his sword, and drew it out of the sheath thereof, and slew him, and cut off his head therewith.  And when the Philistines saw their champion was dead, they fled."  

First Book of Samuel, chapter seventeen

Giacomo Cavedone
Samson captured by the Philistines
ca. 1640
drawing
Musée du Louvre

"And [Delilah] made [Samson] sleep upon her knees; and she called for a man, and caused  him to shave off the seven locks of his head; and she began to afflict him, and his strength went from him.  And she said, The Philistines be upon thee, Samson.  And he awoke out of his sleep, and said, I will go out as at other times before, and shake myself.  And he wist not that the Lord was departed from him.  But the Philistines took him, and put out his eyes, and brought him down to Gaza, and bound him with fetters of brass; and he did grind in the prison house." 

Book of Judges, chapter sixteen

Antonio Molinari
Samson toppling the Columns
before 1704
drawing
Musée du Louvre

"And Samson called upon the Lord, and said, O Lord God, remember me, I pray thee, and strengthen me, I pray thee, only this once, O God, that I may be at once avenged of the Philistines for my two eyes.  And Samson took hold of the two middle pillars upon which the house stood, and on which it was borne up, of the one with his right hand, and of the other with his left.  And Samson said, Let me die with the Philistines.  And he bowed himself with all his might; and the house fell upon the lords, and upon all the people that were therein.  So the dead which he slew at his death were more than they which he slew in his life."

Book of Judges, chapter sixteen

Jacopo Bellini
Archangel Michael battling a Dragon
before 1470
drawing on vellum
Musée du Louvre

Sodoma (Giovanni Antonio Bazzi) 
St Michael Archangel subduing Satan
before 1549
drawing
Musée du Louvre

"And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, and prevailed not; neither was their place found any more in heaven.  And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him."

Book of Revelation, chapter twelve

Ciro Ferri
Banishment of Hagar
before 1689
drawing
Musée du Louvre

"And Sarah, Abraham's wife, took Hagar her maid the Egyptian, after Abraham had dwelt ten years in the land of Canaan, and gave her to her husband Abraham to be his wife.  And he went in unto Hagar, and she conceived: and when she saw that she had conceived, her mistress was despised in her eyes.  And Sarah said unto Abraham, My wrong be upon thee: I have given my maid into thy bosom; and when she saw that she had conceived, I was despised in her eyes: the Lord judge between me and thee.  But Abraham said unto Sarah, Behold, thy maid is in thy hand; do to her as it pleaseth thee.  And when Sarah dealt hardly with her, she fled from her face."

Book of Genesis, chapter sixteen

Alessandro Turchi
Joseph and Potiphar's Wife
before 1649
drawing
Musée du Louvre

"And Joseph was a goodly person, and well favoured.  And it came to pass after these things, that his master's wife cast her eyes upon Joseph, and she said, Lie with me.  But he refused, and said unto his master's wife, Behold, my master wotteth not what is with me in the house, and he hath committed all that he hath to my hand; there is none greater in this house than I; neither hath he kept back any thing from me but thee, because thou art his wife: how then can I do this great wickedness, and sin against God?  And it came to pass, as she spake to Joseph day by day, that he hearkened not unto her, to lie by her, or to be with her.  And it came to pass about this time that Joseph went into the house to do his business; and there was none of the men of the house there within.  And she caught him by his garment, saying, Lie with me: and he left his garment in her hand, and fled, and got him out."

 – Book of Genesis, chapter thirty-nine

Gaspare Diziani
Susanna and the Elders
before 1767
drawing
Musée du Louvre

"And it fell out, as they watched a fit time, [Susanna] went in as before with two maids only, and she was desirous to wash herself in the garden: for it was hot.  And there was no body there save the two elders, that had hid themselves, and watched her.  Then she said to her maids, Bring me oils and washing balls, and shut the garden doors, that I may wash me.  And they did as she bade them, and shut the garden doors, and went out themselves at privy doors to fetch the things that she had commanded them: but they saw not the elders, because they were hid.  Now, when the maids were gone forth, the two elders rose up, and ran unto her, saying, Behold, the garden doors are shut, that no man can see us, and we are in love with thee; therefore consent unto us, and lie with us."

Book of Susanna, chapter one

Wednesday, November 30, 2022

Studies for Fall of the Rebel Angels at Versailles

Charles Le Brun
Avenging Angels
ca. 1672
drawing
(figure studies for ceiling decoration at Versailles)
Musée du Louvre

"Hell from beneath is moved for thee to meet thee at thy coming: it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations. All they shall speak and say unto thee, Art thou also become weak as we? art thou become like unto us? Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee. How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations! For thou hast said in thine heart, I will ascend into heaven, I will exalt my throne above the stars of God: I will sit also upon the mount of the congregation, in the sides of the north: I will ascend above the heights of the clouds; I will be like the most High. Yet thou shalt be brought down to hell, to the sides of the pit."

– from the book of Isaiah, chapter 14 (King James Bible, 1611)

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure studies for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure studies for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure studies for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

Charles Le Brun
 Fall of the Rebel Angels
ca. 1672
drawing
(figure study for ceiling decoration at Versailles)
Musée du Louvre

 

Saturday, October 24, 2020

Narratives in Relief - 1650-1700

Daniel Neuberger
Battle with a Dragon
ca. 1651-52
colored wax
Kunsthistorisches Museum, Vienna

Meister der Sebastiansmartyrien
Martyrdom of St Sebastian
1655
ivory
Kunsthistorisches Museum, Vienna

Anonymous Netherlandish Artist
Infant Sea Nymphs with a Hippocamp
1657
ivory
Rijksmuseum, Amsterdam

Adam Lenckhardt
The Flagellation
ca. 1650-60
ivory
Kunsthistorisches Museum, Vienna

Jacques Buirette
Allegory of the Union of Painting and Sculpture
1663
marble
Musée du Louvre

attributed to Melchiorre Cafà
David dancing before the Ark
ca. 1660-65
terracotta
(modello for bronze)
Victoria & Albert Museum, London

"And the Ark of the Lord continued in the house of Obededom the Gittite three months: and the Lord blessed Obededom, and all his household.  And it was told King David, saying, The Lord hath blessed the house of Obededom, and all that pertaineth unto him, because of the Ark of God.  So David went and brought up the Ark of God from the house of Obededom into the city of David with gladness.  And it was so, that when they that bare the Ark of the Lord had gone six paces, he sacrificed oxen and fatlings.  And David danced before the Lord with all his might; and David was girded with a linen ephod.  So David and all the House of Israel  brought up the Ark of the Lord with shouting, and with the sound of the trumpet.  And as the Ark of the Lord came into the city of David, Michal, Saul's daughter, looked through a window, and saw King David leaping and dancing before the Lord, and she despised him in her heart.  And they brought in the Ark of the Lord, and set it in his place, in the midst of the tabernacle that David had pitched for it: and David offered burnt offerings and peace offerings before the Lord."

– Book 2 of Samuel, chapter 6 (King James Bible, 1611)

Jakob Auer
The Judgment of Paris
ca. 1675-80
ivory
Victoria & Albert Museum, London

attributed to Gaetano Giulio Zumbo
The Judgment of the Damned
ca. 1675-1700
colored wax
Victoria & Albert Museum, London

Jacques Prou
Allegorical Figures of Sculpture and Painting
composing a Portrait of Louis XIV

1682
marble
Musée du Louvre

Francis van Bossuit
Judith with the Head of Holofernes
ca. 1680
ivory
Walters Art Museum, Baltimore

Ignaz Elhafen
Battle Scene with Amazons
ca. 1680-85
cedar wood
Kunsthistorisches Museum, Vienna

Ignaz Bendl
Apollo and Diana slaying the Children of Niobe
1684
ivory
Kunsthistorisches Museum, Vienna

Christoph Daniel Schenck
The Mocking of Christ
1685
ivory
Victoria & Albert Museum, London

Anonymous French Artist
Mythological Scene
ca. 1680-1700
tortoiseshell
Victoria & Albert Museum, London

Münchner Hofwerkstatt
The Adoration of the Magi
ca. 1690-1700
gold, enamel, diamonds, sapphires, emeralds, rubies, pearls
Kunsthistorisches Museum, Vienna