Showing posts with label adages. Show all posts
Showing posts with label adages. Show all posts

Friday, June 21, 2024

Bleaney - Holzer - Lynes - Sherman

John Bleaney
High Falutin' Card Deck: Laurie Anderson
c1985-
offset-print-
National Gallery of Australia, Canberra

John Bleaney
High Falutin' Card Deck: Diane Arbus
ca. 1985
offset print
National Gallery of Australia, Canberra

John Bleaney
High Falutin' Card Deck: Cindy Sherman
ca. 1985
offset print
National Gallery of Australia, Canberra

John Bleaney
High Falutin' Card Deck: Jenny Holzer
ca. 1985
offset print
National Gallery of Australia, Canberra

Jenny Holzer
Selection from the Living Series
1980-82
enamel on metal
National Gallery of Australia, Canberra

Jenny Holzer
Selection from the Living Series
1980-82
enamel on metal
National Gallery of Australia, Canberra

Jenny Holzer
Selection from the Living Series
1980-82
enamel on metal
National Gallery of Australia, Canberra

Jenny Holzer
Enclosure (Deep Red)
2006
oil on linen (two panels)
Institute of Contemporary Art, Boston

George Platt Lynes
R.X. McCarthy and John Leapheart
1952
gelatin silver print
National Gallery of Australia, Canberra

George Platt Lynes
R.X. McCarthy and John Leapheart
1952
gelatin silver print
National Gallery of Australia, Canberra

George Platt Lynes
Robert McVoy
ca. 1941
gelatin silver print
National Gallery of Australia, Canberra

George Platt Lynes
Tex Smutney and Buddy Stanley
1941
gelatin silver print
National Gallery of Australia, Canberra

Cindy Sherman
Untitled #72
1980
C-print
Art Gallery of New South Wales, Sydney

Cindy Sherman
Untitled Film Still #35
1979
gelatin silver print
Art Gallery of New South Wales, Sydney

Cindy Sherman
Untitled Film Still #46
1979
gelatin silver print
Art Gallery of New South Wales, Sydney

Cindy Sherman
Untitled Film Still #52
1979
gelatin silver print
National Gallery of Australia, Canberra

from The Quest

Suppose he's listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.

"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."

Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"

– W.H. Auden (1940)

Saturday, March 30, 2024

Downcast Heads

Edward Burne-Jones
Head of Sleeping Attendant
ca. 1881-86
oil on canvas
(study for painting, Briar Rose)
Victoria & Albert Museum, London

Gaetano Gandolfi
Head of Young Woman
ca. 1785
etching
Philadelphia Museum of Art

Jacques-Louis David after Daniele da Volterra
Head of a Woman
in the painting Descent from the Cross

ca. 1775-80
drawing
(made in Rome)
Victoria & Albert Museum, London

Walt Kuhn
Large Head
1923
lithograph
Princeton University Art Museum

Gerrit Willem Dijsselhof
Study of Antique Head
ca. 1900
drawing
Rijksmuseum, Amsterdam

Anonymous Italian Copyist
Head of the Barberini Hera
19th century
plaster cast
Statens Museum for Kunst, Copenhagen

Theodor Kittelsen
Classical Head
1874-76
drawing
National Gallery of Norway, Oslo

Edward John Poynter
Head of Psyche
1893
drawing
Princeton University Art Museum

Frans Floris
Study Head
ca. 1555-60
oil on canvas
Kunsthistorisches Museum, Vienna

Augustin Pajou
Head of an Old Man
1761
terracotta
Victoria & Albert Museum, London

Pietro Antonio Novelli
Head of a Youth
ca. 1770
drawing
Harvard Art Museums

Richard Parkes Bonington
Study of a Woman
ca. 1825
drawing
Yale Center for British Art

William Edward Frost
Study of a Woman
ca. 1850
watercolor
National Gallery of Art, Washington DC

Gustav Wentzel
Young Man with a Hat
1879
drawing
National Gallery of Norway, Oslo

Henry Wilson
Study of a Youth
ca. 1915
drawing
Victoria & Albert Museum, London

Ralph Eugene Meatyard
Untitled
1959
gelatin silver print
Yale University Art Gallery


"N'est-ce pas le propre de la lecture, repousser toujours plus loin notre ligne d'horizon?"

– Société d'édition Les Belles Lettres, Paris