 |
| Edward Steichen Self Portrait with Brush and Palette 1902 gum bichromate print Art Institute of Chicago |
 |
| Edward Steichen Midnight, Lake George 1904 gum bichromate over platinum print Art Institute of Chicago |
 |
| Edward Steichen Self Portrait with Camera 1917 platinum print Art Institute of Chicago |
 |
| Edward Steichen Triumph of the Egg ca. 1921 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Miguel Covarrubias 1927 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Helen Morgan 1927 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Zasu Pitts 1928 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Tilly Losch 1930 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Rose Hobart 1931 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Josef von Sternberg 1931 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Lily Pons ca. 1932 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Anna Stein 1932 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Lillian Gish in Within the Gates 1934 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Katherine Cornell 1934 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Dolores del Río ca. 1934 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Elisabeth Bergner 1935 gelatin silver print Art Institute of Chicago |
 |
| Edward Steichen Fashion Shot 1935 gelatin silver print Art Institute of Chicago |
The Porcupine, from De Histrice
Her longer head like a swines snowt doth show;
Bristles like hornes upon her forehead grow.
A fiery heat glows from her flaming eye;
Under her shaggy back the shape doth lye
As 'twere a whelpe: nature all Art hath try'd
In this small beast, so strangely fortified.
A threatning wood o're all her body stands;
And stiff with Pikes the spectled stalks in bands
Grow to the warre; while under those doth rise
An other troope, girt with alternate dyes
Of severall hue; which while a blacke doth fill
The inward space, ends in a solid quill.
That lessning by degrees, doth in a while,
Take a quick point, and sharpen to a Pile.
Nor doth her squadrons like the hedghogs stand
Fixt; but shee darts them forth, and at command
Farre off her members aimes; shot through the skie
From her shak'd side the Native Engines flie.
Sometimes retiring, Parthian like, shee'l wound
Her following foe; sometimes intrenching round
In battaile forme, marshalling all her flanks,
Shee'l clash her javelins to affright the ranks
Of her poore enemies: lineing every side
With spears, to which shee is her selfe allied.
-1975-gelatin-silver-print-Whitney-Museum-of-American-Art-New-York.jpeg)
-1975-gelatin-silver-print-Buffalo-AKG-Art-Museum-New-York.jpg)
-1978-gelatin-silver-print-Whitney-Museum-of-American-Art-New-York.jpeg)
-The-Giant-1978-cut-out-gelatin-silver-prints-mounted-on-board-Guggenheim-Museum-New-York.jpg)
