Showing posts with label rocks. Show all posts
Showing posts with label rocks. Show all posts

Thursday, August 28, 2025

Robert Kipniss

Robert Kipniss
Large Trees at Dusk
1962
oil on canvas
Carnegie Museum of Art, Pittsburgh


Robert Kipniss
Night Reflections
1969
lithograph
Smithsonian American Art Museum, Washington DC

Robert Kipniss
Sheds and Fence
1969
lithograph
Smithsonian American Art Museum, Washington DC

Robert Kipniss
Self Portrait
1969
drypoint
National Portrait Gallery, Washington DC

Robert Kipniss
Backyard
1972
lithograph
Art Institute of Chicago

Robert Kipniss
Interior with Suspended Plants
1975
lithograph
Art Institute of Chicago

Robert Kipniss
Landscape with Curved Road
1978-79
oil on canvas
Milwaukee Art Museum

Robert Kipniss
Window with Large Tree
1993
mezzotint
Tacoma Art Museum, Washington State

Robert Kipniss
Clear Vase and Landscape
1995
mezzotint
Tacoma Art Museum, Washington State

Robert Kipniss
Evening with White Porch
1996
mezzotint
Smithsonian American Art Museum, Washington DC

Robert Kipniss
Appoggiatura
1999
mezzotint
Minneapolis Institute of Art

Robert Kipniss
Garden Shadows
2000
mezzotint
McNay Art Museum, San Antonio, Texas

Robert Kipniss
Without World
2000
mezzotint
Minneapolis Institute of Art

Robert Kipniss
Still LIfe with Dark Window
2001
mezzotint
Dallas Museum of Art

Robert Kipniss
Branches, Millerton
2003
mezzotint
Smithsonian American Art Museum, Washington DC

Robert Kipniss
The Balanced Rock
2004
mezzotint
Smithsonian American Art Museum, Washington DC

Robert Kipniss
Forest Murmurs II
2010
mezzotint
Dallas Museum of Art

Robert Kipniss
Hidden Trees
2018
mezzotint
Dallas Museum of Art

from Metamorphoses

In antient Times, as Story tells,
The Saints would often leave their Cells,
And strole about, but hide their Quality, 
To try good People's Hospitality.
    It happen'd on a Winter Night,
As Authors of the Legend write;
Two Brother Hermits, Saints by Trade,
Taking their Tour in Masquerade;
Disguis'd in tatter'd Habits, went
To a small Village down in Kent;
Where, in the Strolers Canting Strain,
They beg'd from Door to Door in vain;
Try'd ev'ry tone might Pity win,
But not a Soul would let them in.
    Our wand'ring Saints in woful State,
Treated at this ungodly Rate,
Having thro' all the Village pass'd,
To a small Cottage came at last;
Where dwelt a good old honest Yeoman,
Call'd, in the Neighbourhood, Philemon.
Who kindly did the Saints invite
In his Poor Hut to pass the Night;
And then the Hospitable Sire
Bid Goody Baucis mend the Fire;
While He from out of Chimney took
A Flitch of Bacon off the Hook;
And freely from the fattest Side
Cut out large Slices to be fry'd:
Then stept aside to fetch em Drink,
Fill'd a large Jug up to the Brink;
And saw it fairly twice go round;
Yet (what is wonderful) they found,
'Twas all replenished to the Top,
As if they ne'er had toucht a Drop.
The good old Couple was amaz'd,
And often on each other gaz'd;
For both were frighted to the Heart,
And just began to cry; – What ar't!
Then softly turn'd aside to view,
Whether the Lights were burning blue.
The gentle Pilgrims soon aware on't,
Told 'em their Calling, and their Errant:
Good Folks, you need not be afraid,
We are but Saints, the Hermits said;
No Hurt shall come to You or Yours;
But, for that Pack of churlish Boors,
Not fit to live on Christian Ground,
They and their Houses shall be drown'd:
Whilst you shall see your Cottage rise,
And grow a Church before your Eyes.

– Ovid (43 BC-AD 17), translated by Jonathan Swift (1709)

Tuesday, April 2, 2024

Kuhn - Manet - Hurtubise - Magritte

Walt Kuhn
Waiting for the Robert E. Lee
1934
oil on canvas
Lowe Art Museum, University of Miami

Walt Kuhn
Hydrangeas
1934
oil on canvas
New Britain Museum of American Art, Connecticut

Walt Kuhn
Clown with Drum and Jug
1943
oil on canvas
New Britain Museum of American Art, Connecticut

Walt Kuhn
Youthful Clown
ca. 1910
watercolor on paper
New Britain Museum of American Art, Connecticut

Édouard Manet
Portrait of Madame Auguste Manet
(Eugénie Désirée Fournier Manet, the artist's mother)
1863
oil on canvas
Isabella Stewart Gardner Museum, Boston

Édouard Manet
Portrait of Madame Édouard Manet
(Suzanne Leenhoff)
ca. 1874-76
oil on canvas
Norton Simon Museum, Pasadena, California

Édouard Manet
Spanish Woman wearing a Black Cross
1865
oil on canvas
Dallas Museum of Art

Édouard Manet
Young Woman in a Round Hat
ca. 1877-79
oil on canvas
Princeton University Art Museum

Jacques Hurtubise
The Model
1959
oil on panel
Musée National des Beaux-Arts du Québec

Jacques Hurtubise
Flamme de Totem
1988
acrylic on canvas
Musée National des Beaux-Arts du Québec

Jacques Hurtubise
Pinotte
1973
acrylic on canvas
Musée National des Beaux-Arts du Québec

Jacques Hurtubise
Splash 777
1980
acrylic on canvas
Musée National des Beaux-Arts du Québec

René Magritte
L'Anniversaire
1959
oil on canvas
Art Gallery of Ontario, Toronto

René Magritte
Force of Circumstance
1958
oil on canvas
Menil Collection, Houston

René Magritte
In the Airy Glades
1965
oil on canvas
Menil Collection, Houston

René Magritte
The Banquet
1958
oil on canvas
Art Institute of Chicago

from Part Three of The Age of Anxiety

Rosetta says:
     Are our dreams indicative? Does it exist,
          That last landscape
     Of gloom and glaciers and great storms
     Where, cold into chasms, cataracts
          Topple, and torrents
     Through rocky ruptures rage for ever
     In a winter twilight watched by ravens,
          Birds on basalt,
     And shadows of ships long-shattered lie,
     Preserved disasters, in the solid ice
          Of frowning fjords?
     Does the Moon's message mean what it says:
     "In that oldest and most hidden of all places
          Number is unknown"?
     Can lying lovers believe their bones'
          Unshaken assurance
     That all the elegance, all the promise
     Of the world they wish is waiting there?

     Even while she is still speaking, their fears are confirmed, their hopes denied. For the world from which their journey has been one long flight rises up before them now as if the whole time it had been hiding in ambush, only waiting for the worst moment to reappear to its fugitives in all the majesty of its perpetual fury.

– W.H. Auden (1944-46)