Tuesday, August 4, 2015

After Michelangelo

Daniele da Volterra
Portrait of Michelangelo
ca. 1544
Metropolitan Museum of Art

Michelangelo
Annunciation
ca. 1550
Morgan Library, New York

I had never seen Michelangelo's drawing of the Annunciation (above) at all, not anywhere, until I discovered it in the Morgan Library's online archive. The archangel announcing the birth of the Savior to the Virgin is one of the two or three most traditional subjects in Italian art, but independently imagined here. Michelangelo typically created new paradigms and resisted received templates. What follows is a collection of intriguing early copies or renderings made by other artists of original works by Michelangelo (1475-1564).

Tintoretto
Drawing of Michelangelo's Day
ca. 1550-55
Metropolitan Museum of Art

John Singer Sargent
Drawing of Michelangelo's Night
ca. 1872-74
Metropolitan Museum of Art

Robert Macpherson
Photograph of Michelangelo's Moses
1850s
Getty Museum, Los Angeles

Giovanni Battista Naldini
Drawing of Michelangelo's Samson
ca. 1560-80
Metropolitan Museum of Art

Nicolas Beatrizet
Engraving of Michelangelo's Ganymede
1542
Metropolitan Museum of Art   

Benjamin West
Studies after  Michelangelo
1790s
Morgan Library, New York

Jean-Honoré Fragonard
Studies after Michelangelo
18th century
Rijksmuseum

Anonymous Roman artist
Drawing of detail from Michelangelo's Night
16th century
Morgan Library, New York

Circle of Michelangelo
Anatomical Study
16th century
Metropolitan Museum of Art

Adolphe Braun
Engraving of Michelangelo's Sistine Chapel frescoes
ca. 1869
Getty Museum, Los Angeles

Cherubino Alberti
Engraving of Ignudo from Michelangelo's Sistine ceiling
1580s
Metropolitan Museum of Art

Cherubino Alberti
Engraving of Saved Soul from Michelangelo's Last Judgment
1591
Metropolitan Museum of Art

David Wilkie
Drawing of Michelangelo's Libyan Sybil
ca. 1830
Morgan Library, New York

Ascanio Condivi de la Ripa
Vita di Michelagnolo Buonarroti (title page)
Rome, 1553
Metropolitan Museum of Art