Friday, March 25, 2016

16th-century drawings from Italy II

Paolo Farinati
Man resting on staff
16th century
drawing
Metropolitan Museum of Art

"Disegno is nothing other than divine speculation, which produces an excellent art; you cannot execute anything in sculpture or painting without the guide of this speculation and design." So wrote the Florentine Anton Francesco Doni in 1549. As Campbell and Cole point out in A New History of Italian Renaissance Art (Thames & Hudson, 2012), "such definitions, which prioritized intellectual conception over the description of optical experience, implied an ideal of perfection abstracted from what the eye could perceive in nature." 

Giovanni Battista Montano
Designs for columns
16th century
drawing
Ashmolean Museum, Oxford

attributed to Giovanni Balducci
Seated Figure
late 16th century
drawing
British Museum

Giulio Campi
Jupiter and Astraea
ca. 1545-50
drawing
Metropolitan Museum of Art

Girolamo Franco
Putti
16th century
drawing
Ashmolean Museum, Oxford

Correggio
Eve with an Angel
ca. 1524-30
drawing
British Museum

Baccio Bandinelli
Head of a Woman
16th century
drawing
Ashmolean Museum, Oxford

Baccio Bandinelli
Satyr with Bellows standing on a Tortoise
16th century
drawing
Ashmolean Museum, Oxford

style of Luca Cambiaso
 Marcus Curtius at the Abyss
16th century
drawing
Ashmolean Museum, Oxford

Luca Cambiaso
Youthful Bacchus
16th century
drawing
Ashmolean Museum, Oxford

Luca Cambiaso
Scipione and King Syphax
ca. 1570
drawing
British Museum

attributed to Agnolo Bronzino
Figure Study
16th century
drawing
Ashmolean Museum, Oxford

Agnolo Bronzino
Seated Nude
ca. 1565-69
drawing
Metropolitan Museum of Art

Agnolo Bronzino
Study of a Young Woman
ca. 1540-42
drawing
Metropolitan Museum of Art