Saturday, March 19, 2016

European portraits, 1690-1700

Adriaen van der Werff
Self-portrait holding a picture of his wife and daughter
1699
Rijksmuseum

Adriaen van der Werff
Portrait of Margaretha Rendrorp
1692
Rijksmuseum

During the 17th century, especially in the Low Countries, middle class people frequently became the subjects of the highest quality portraits, an amenity reserved in earlier centuries almost exclusively for those of much loftier standing. Conspicuously expensive fabrics remained, all the same, a near-absolute necessity. Women's corsets gradually relaxed, in pursuit of a less-structured silhouette. The high artificiality of the starched ruff fell out of use, yet for men it was quickly replaced by the high artificiality of the full-bottomed wig.  

Anonymous painter
Portrait of François Leydecker
ca. 1690
Rijksmuseum

Pierre Mignard
Portrait of the Marquise de Seignelay with two of her sons
1691
National Gallery, London

Michael Dahl
Self-portrait
1691
National Portrait Gallery, London

Anonymous painter
Portrait of an unknown musician holding a miniature portrait of a woman
1690s
National Portrait Gallery, London

studio of Hyacinthe Rigaud
Portrait of William Bentinck, 1st Earl of Portland
ca. 1698-99
National Portrait Gallery, London

John Closterman
The children of John Taylor of Bifrons Park
ca. 1696
National Portrait Gallery, London

Godfrey Kneller
Portrait of Anne, daughter of James II and later Queen
1690
National Portrait Gallery, London

Godfrey Kneller
Portrait of Aubrey Vere, 20th Earl of Oxford
ca. 1690
National Portrait Gallery, London

Anonymous painter
Portrait of the deposed King James II in exile
ca. 1690
National Portrait Gallery, London

Nicolas de Largillière
Portrait of Prince James Edward Stuart & Princess Louisa Stuart in exile
1695
National Portrait Gallery, London

Godfried Schalcken
Portrait of William III, King of England
ca. 1692-97
Rijksmuseum

Luca Giordano
Equestrian portrait of Mariana, Queen of Spain
ca. 1694
Prado