Monday, March 21, 2016

European objects, 16th-19th centuries

Francesco Salviati
Design for a ewer
16th century
drawing
Ashmolean Museum, Oxford

"In fact the complex pleasure of projecting oneself into elongated limbs and postures never seen before seems to have been one of the delights that many Renaissance artists conveyed to their audiences."  François Quiviger in The Sensory World of Italian Renaissance Art (London : Reaktion Books, 2010)

Raphael
Drapery study
early 16th century
drawing
Ashmolean Museum, Oxford

Peter Flötner
Perspective study with cubes
1528
drawing
Metropolitan Museum of Art

Michelangelo
Design for a window
early 16th century
drawing
Ashmolean Museum, Oxford

Michelangelo
Design for a doorway, Biblioteca Laurenziana
1526
drawing
British Museum

Francisco de Zurbarán
Cup of water and a rose
ca. 1630
oil on canvas
National Gallery, London

Johannes Leemans
Still life with hunting tackle
1678
oil on canvas
Rijksmuseum

Jacques Goullons
Watch with cover-painting of angel awakening Jacob
ca. 1645-50
enamel on gold
Metropolitan Museum of Art

Pierre Adrien Pâris
Decorative paneling from a boudoir in the Hôtel de Crillon
ca. 1777-80
painted and gilded oak
Metropolitan Museum of Art

from a design by Giovanni Battista Piranesi
Side table
1760s
 carved & gilded limewood, marble
Getty Museum, Los Angeles

Nicolas-Quinibert Foliot
Armchair for the Princess of Parma
ca. 1749
carved & gilded oak, silk velvet upholstery
Metropolitan Museum of Art

Jean Charles Delafosse
Design for an urn with bucrania
18th century
drawing
Ashmolean Museum, Oxford

Thomas Chippendale
Design for three ribband-back chairs
late 18th century
drawing
Metropolitan Museum of Art

Georges Seurat
Anchors
1890
drawing
Victoria & Albert Museum