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| Antonio Campi Cavalry Battle ca. 1578 drawing Teylers Museum, Haarlem |
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| Antonio Campi Frieze of Foliated Ornament containing a Goat and two Human Figures before 1587 drawing Victoria & Albert Museum |
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| Antonio Campi Design for a sotto in su Ceiling Decoration before 1587 drawing National Galleries of Scotland |
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| Antonio Campi Portrait of Christina of Denmark, Dowager Duchess of Milan before 1587 drawing British Museum |
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| Antonio Campi Head of a Man looking up before 1587 drawing British Museum |
"Admitting and at times seeming even to force the possibilities of differences of style, he [Antonio Campi] was also able, when he wished, to force union on them, adapting Lombard verism to the styling processes of high Maniera. . . . Antonio's early inclination seems to have been to master the formulae of Maniera that his teacher, Giulio Campi, had deduced from Emilia, but to make them more explicitly Maniera and more up to date. A dry elegance, more accurately reflecting the late Mantuan Giulio [Romano] in particular, invests Antonio's first recasting of his older brother's style. His goal went farther than this, however: to assimilate the learned and virtuoso language of the classicist Maniera observable in Mantua and in prints that had their origin in Rome."
– S.J. Freedberg from Painting in Italy - 1500 to 1600 in the Pelican History of Art series (London, 1971)
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| Antonio Campi St Sebastian (study for painting) ca. 1575 drawing National Galleries of Scotland |
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| attributed to Antonio Campi Sibyl reading before 1587 drawing Royal Collection, Great Britain |
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| Antonio Campi Allegory of Music ca. 1546-55 chiaroscuro woodcut (printed from two blocks in brown) British Museum |
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| Antonio Campi Holy Family 1550 chiaroscuro woodcut (printed from three blocks in red) British Museum |
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| Antonio Campi Mystic Marriage of St Catherine 1547 chiaroscuro woodcut (printed from two blocks in brown and black) Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Antonio Campi after Parmigianino Mucius Scaevola holding his Hand in the Flames before 1587 chiaroscuro woodcut (line-block only) Museum of Fine Arts, Boston |
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| Antonio Campi after Parmigianino Mucius Scaevola holding his Hand in the Flames before 1587 chiaroscuro woodcut (line-block only, printed on blue paper) Museum of Fine Arts, Boston |
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| Antonio Campi after Parmigianino Mucius-Scaevola-holding-his-hand-in-the-Flames- before 1587 chiaroscuro woodcut (printed from two blocks in blue and black) Museum of Fine Arts, Boston |
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| Antonio Campi after Parmigianino Mucius Scaevola holding his Hand in the Flames before 1587 chiaroscuro woodcut (line-block only, printed on brown paper) British Museum |