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| Giulio Campi Seated Saint or Prophet before 1573 drawing Harvard Art Museums |
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| attributed to Giulio Campi Design for Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters, and Human Head ca. 1535-45 drawing Metropolitan Museum of Art, New York |
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| attributed to Giulio Campi Design for Pilaster Decoration before 1573 drawing Morgan Library, New York |
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| Giulio Campi Raising of Lazarus (study for fresco in Chiesa di Santa Margherita, Cremona) ca. 1547 drawing Royal Collection, Great Britain |
"Giulio Campi designed and decorated the whole of the small church of Santa Margherita in Cremona for its titular prior, the humanist scholar Marco Girolamo Vida. This is a final study for the Raising of Lazarus, one of six arched frescoes in the side walls of the barrel-vaulted church. . . . With his brother Antonio, Giulio frescoed the entire church interior." [directly below, two additional studies for the same project]
– from curator's notes at the Royal Collection
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| Giulio Campi Transfiguration (study for fresco in Chiesa di Santa Margherita, Cremona) ca. 1547 drawing Royal Collection, Great Britain |
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| Giulio Campi Adoration of the Shepherds (study for fresco in Chiesa di Santa Margherita, Cremona) ca. 1547 drawing British Museum |
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| Giulio Campi Study for decoration of Triumphal Arch for the entry of Charles V into Cremona (Figure of Neptune) ca. 1541 drawing Getty Museum, Los Angeles |
"Giulio Campi probably produced this sketch [of Neptune, above] as a preparatory study for the decoration of one of the triumphal arches erected in Cremona on the occasion of Emperor Charles V's entry into the city on August 18, 1541. Decorated with statues and representations of his famous deeds and insignia, these arches marked the ruler's route through the city gates to his lodgings. The number of pentimenti in this rapidly drawn work suggests to scholars that Campi completed the drawing in some haste, probably working under a tight deadline." [directly below, three further studies for the same triumphal arches]
– from curator's notes at the Getty Museum
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| Giulio Campi Study for decoration of Triumphal Arch for the entry of Charles V into Cremona (Frieze of Trophies with Prisoners on either side) ca. 1541 drawing British Museum |
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| Giulio Campi Study for decoration of Triumphal Arch for the entry of Charles V into Cremona (Bearded Man in Chains) ca. 1541 drawing British Museum |
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| Giulio Campi Study for decoration of Triumphal Arch for the entry of Charles V into Cremona (Female Figure in Chains) ca. 1541 drawing British Museum |
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| Giulio Campi Design for Palace Façade ca. 1550-60 drawing Princeton University Art Museum |
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| attributed to Giulio Campi Jupiter and Semele before 1573 drawing Royal Collection, Great Britain |
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| Giulio Campi Jupiter and Astraea (study for fresco) ca. 1545-50 drawing Metropolitan Museum of Art, New York |
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| Giulio Campi Two Kings united by a Figure of Peace before 1573 drawing Harvard Art Museums |