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| attributed to Pier Francesco Mola Figure of Draped Man before 1666 drawing Metropolitan Museum of Art, New York |
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| attributed to Pier Francesco Mola Sheet of Sketches (recto and verso) before 1666 drawing Princeton University Art Museum |
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| Pier Francesco Mola Harpist playing to a Woman in a Park ca. 1648-60 drawing Teylers Museum, Haarlem |
"A Bolognese ingredient to Mola's work undoubtedly exists, including the influence of Guercino (1591-1666). This latter is perhaps most evident in Mola's drawing – in his frequent use of emphatic chiaroscuro, indicated with dark, fluid washes, as well as in his liking for caricature."
– from curator's notes at the British Museum
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| Pier Francesco Mola Head of a Bearded Man before 1666 drawing Royal Collection, Great Britain |
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| Pier Francesco Mola Seated Pope blessing before 1666 drawing Harvard Art Museums |
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| attributed to Pier Francesco Mola Angels with Papal Tiara on an Altar before 1666 drawing Museum of Fine Arts, Boston |
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| Pier Francesco Mola Study of Head before 1666 drawing Art Institute of Chicago |
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| Pier Francesco Mola Two Studies for the Figure of Joseph 1655 drawing Museum Kunstpalast, Düsseldorf |
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| Pier Francesco Mola Viola da Gamba Player ca. 1645-50 drawing Rijksmuseum, Amsterdam |
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| Pier Francesco Mola Viola da Gamba Player ca. 1645-50 drawing Rijksmuseum, Amsterdam |
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| Pier Francesco Mola Woman with Unicorn ca. 1650-55 drawing Royal Collection, Great Britain |
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| Pier Francesco Mola Putti in Clouds (study for fresco) ca. 1651-52 drawing British Museum |
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| attributed to Pier Francesco Mola Joseph in Prison interpreting Dreams before 1666 drawing Princeton University Art Museum |
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| Pier Francesco Mola Sketch from the back of Pier Francesco Mola and the Roman art patron Niccolò Simonelli 1649 drawing Rijksmuseum, Amsterdam |