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| Barry Thompson Atkinson Harvest 1960 oil on paper Ulster Museum, Belfast |
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| James Bingham Twisted Roots 1994 oil on canvas Falmouth University, Cornwall |
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| Basil Blackshaw The Barn (Blue II) 1991-92 oil on canvas Ulster Museum, Belfast |
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| Sylbert Bolton Untitled ca. 1980-88 oil on canvas Wolverhampton Art Gallery, West Midlands |
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| Ian Brady Untitled 1981 oil on canvas Robert Gordon University, Aberdeen |
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| Jeffery Camp Sunset 2007 oil on canvas British Council Collection, London |
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| Grant Clifford The Tongue in New York 1995 oil on canvas Royal Scottish Academy of Art and Architecture, Edinburgh |
from Thoughts about the Person from Porlock
These thoughts are depressing I know. They are depressing,
I wish I was more cheerful, it is more pleasant,
Also it is a duty, we should smile as well as submitting
To the purpose of One Above who is experimenting
With various mixtures of human character which goes best,
All is interesting for him it is exciting, but not for us.
– Stevie Smith (ca. 1957)
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| Kenneth Cozens Fragments 1979 oil on canvas Middlesbrough Institute of Modern Art |
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| Barbara Delaney Like Summer Tempests 1994 acrylic on canvas Pembroke College, University of Oxford |
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| Mario Dubsky Laocoönese ca. 1968 oil on canvas University College London Art Museum |
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| Alexander Fraser Guild Street No. 3 1983 oil on canvas Chelmsford Museum, Essex |
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| Anthony Fry Italian Landscape V ca. 1965 oil on board Southwark Art Collection, London |
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| Germán Gárgano Turmoil 1995 acrylic and gouache on paper Essex Collection of Art from Latin America, Colchester |
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| Patrick Heron Cobalt and Indigo in Ultramarine: January 1967 1967 oil on canvas University of Stirling, Scotland |
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| Patrick Heron Red Yellow Brown 1964 oil on canvas Portsmouth Museums, Hampshire |