 |
| Raymond Wylie Interior of Covent Garden Opera House, London ca. 1960-65 oil on canvas Museum of London |
 |
| Ivor Williams Raising of Lazarus 1968 oil on canvas Bangor University, Wales |
 |
| Jacqueline Stanley Smithfield Market, London 1969 oil on canvas Guildhall Art Gallery, London |
 |
| Anne Redpath The Yellow Sofa ca. 1960 oil on canvas Royal West of England Academy, Bristol |
 |
| Daniel O'Neill Three Friends 1969-70 oil on board Ulster Museum, Belfast |
Cherry-lipped Adonis in his snowy shape
Might not compare with his pure ivory white
On whose fair front a poet's pen may write,
Whose roseate red excels the crimson grape.
His love-enticing delicate soft limbs
Are rarely framed t'entrap poor gazing eyes,
His cheeks, the lily and carnation dyes
With lovely tincture, which Apollo's dims.
His lips ripe strawberries in nectar wet,
His mouth a hive, his tongue a honeycomb
Where Muses (like bees) make their mansion,
His teeth pure pearl in blushing coral set.
Oh how can such a body, sin-procuring,
Be slow to love and quick to hate enduring?
– Richard Barnfield (1595)
 |
| John Nash Grange Farm ca. 1960 oil on canvas Middlesbrough Institute of Modern Art |
 |
| Kathryn Kynoch Hayricks at Hospitalfield 1962 oil on canvas Hospitalfield House, Arbroath, Scotland |
 |
| Philomena Kennedy Kent Landscape 1965 oil on board Dover Collections, Kent |
 |
| Henry Inlander Open Window (Mirror Image) 1968 oil on canvas Southbank Centre, London |
 |
| David Hepher Still Life 1963 oil on panel Museums Sheffield, Yorkshire |
 |
| Alan Durman Ramsgate 1960 oil on canvas (for poster reproduction) National Railway Museum, York |
 |
| Bernard Dunstan Sotheby's ca. 1960 oil on canvas Royal West of England Academy, Bristol |
 |
| John Brown Still Life 1966 oil on board Middlesbrough Institute of Modern Art |
 |
| William Brooker Orange Label 1965 oil on canvas Gallery Oldham, Manchester |
 |
| Raymond C. Booth Crocus 1962 oil on canvas Warrington Museum and Art Gallery, Cheshire |