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| Ruth Thorne-Thomsen Untitled 1979 gelatin silver print Los Angeles County Museum of Art |
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| Marilyn Sanders Palisades Park 1978 gelatin silver print Los Angeles County Museum of Art |
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| Chris Steele-Perkins Community Disco, West Belfast 1978 gelatin silver print Victoria & Albert Museum, London |
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| Bernard Faucon Untitled 1979 fresson print Princeton University Art Museum |
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| Don A. DuBroff St Nicolas Ukrainian Cathedral, Chicago 1979 C-print Art Institute of Chicago |
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| David Graham Marge Gapp's Studio, Philadelphia Pa. 1979 C-print Art Institute of Chicago |
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| William Christenberry Door of Cotton Warehouse, Selma, Alabama 1979 dye transfer print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| William Christenberry Untitled 1979 C-print Minneapolis Institute of Art |
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| William Christenberry Untitled 1979 C-print Minneapolis Institute of Art |
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| William Christenberry Untitled 1979 C-print Minneapolis Institute of Art |
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| Lawrence J. Merrill Minneapolis 1979 C-print Minneapolis Institute of Art |
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| Lawrence J. Merrill Minneapolis 1979 C-print Minneapolis Institute of Art |
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| Laurie Simmons New Kitchen, Aerial View 1979 C-print Los Angeles County Museum of Art |
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| Terry Evans Sky over Shawnee County, Kansas 1979 inkjet print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Joel Sternfeld Approximately 17 of 41 Whales which Beached (and subsequently died), Florence, Oregon 1979 dye transfer print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Richard Misrach Sounion, Greece (Star Trails) 1979 C-print Minneapolis Institute of Art |
from Paideia
When I am gone and exist only in my poems,
my line shall celebrate my days,
insisting that my acts were brave as any man's,
that my thoughts were complex as another's,
my loves as desperate, as intense.
Adroit, self-confident, and sly,
my poems are my children.
They know how to lie.
– George Bradley (1996)