Showing posts with label ruins. Show all posts
Showing posts with label ruins. Show all posts

Thursday, December 12, 2019

Oil Sketches – Frederic Edwin Church (1826-1900)

Frederic Edwin Church
Study for Apotheosis to Thomas Cole
ca. 1847
oil on paper
Cooper Hewitt, Smithsonian Design Museum

"Frederic Edwin Church was perhaps the best-known representative of the Hudson River School of landscape painting as well as one of its most traveled.  Born in Hartford in 1826, he was the privileged son of Joseph Church, a jeweler and banker of that city, who interceded with Connecticut scion and collector Daniel Wadsworth to persuade the landscape painter Thomas Cole to accept his son as a pupil.  From 1844 to 1846 Church studied with Cole in his Catskill, New York studio and accompanied him on sketching sojourns in the Catskill Mountains and the Berkshires of Massachusetts.  At one point, the master characterized the student as having "the finest eye for drawing in the world."  Following his term with Cole, Church established a studio in New York City and quickly seized a reputation, less for the allegorical landscapes that had distinguished Cole's output, than for expansive New York and New England views that synthesized sketches of varying locales into vivid compositions."

– from an essay by Kevin J. Avery on the Heilbrunn Timeline of Art History at the Metropolitan Museum

Frederic Edwin Church
Cloud Study
ca. 1860-70
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Woodland Study
1865
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Moonlight, Church's Farm
ca. 1865
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Alpine Lake
1868
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Imaginary South American Landscape
ca. 1853-55
oil on paper
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Botanical Study
ca. 1865-66
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Pitajaya Fruit, Colombia
1853
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Palm Trees, Jamaica
1865
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Butterfly over Water
ca. 1865
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Parthenon at Night
1869
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Broken Column of the Parthenon
1869
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Classical Ruins, Syria
1868
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Frederic Edwin Church
Sculpture in the Theater of Dionysus, Athens
1869
oil on cardboard
Cooper Hewitt, Smithsonian Design Museum

Saturday, December 7, 2019

Red Chalk – French Drawings – 1750-1800

François-André Vincent
Study for Boreas abducting Orithyia
ca. 1782
drawing
Metropolitan Museum of Art, New York

Élisabeth Vigée-Lebrun
Woman Reading, viewed from the back
ca. 1775-85
drawing
Museum of Fine Arts, Boston

Aubert-Henri-Joseph Parent
Vase on a Classical Pedestal
ca. 1784
drawing
Metropolitan Museum of Art, New York

follower of Jean-Baptiste Pillement
Ornamental Design with Flowers
late 18th century
drawing
Art Institute of Chicago

Jean-Honoré Fragonard
Seated Young Woman
late 18th century
drawing
Morgan Library, New York

Jean-Honoré Fragonard
Portrait de Bergeret
ca. 1770-71
drawing
Metropolitan Museum of Art, New York

Nicolas-Bernard Lépicié
Portrait of Cellist Martin Berteau
before 1784
drawing
private collection

Nicolas-Bernard Lépicié
Académie
before 1784
drawing
Minneapolis Institute of Art

Carle Vanloo
Dancing Faun
before 1765
drawing
British Museum

Carle Vanloo
Académie
before 1765
drawing
private collection

Carle Vanloo
Académie
before 1765
drawing
Metropolitan Museum of Art, New York

Hubert Robert
Arch of Titus, Rome
ca. 1755-65
drawing
Morgan Library, New York

Hubert Robert
View of Villa Madama, Rome
ca. 1755-65
drawing
Morgan Library, New York

Hubert Robert
Oval Fountain in the Gardens of the Villa d'Este, Tivoli
1760
drawing
National Gallery of Art, Washington DC

Hubert Robert
Traveler looking at a Vase in the Garden of the Maronite Convent, Rome
1764
drawing
National Gallery of Canada

Thursday, December 5, 2019

Red Chalk – Italian Drawings – 1750-1800

Maria Christina Campana
Antique Portrait-Sculpture of Empress Sabina
ca. 1776
drawing
Minneapolis Institute of Art

Pompeo Batoni
Study for an Allegorical Figure of Vigilance
before 1787
drawing
National Galleries of Scotland

Pompeo Batoni
Figure Study for Polyphemus
ca. 1761
drawing
Museu Nacional de Belas Artes, Rio de Janeiro

Corrado Giaquinto
Model carrying Covered Basket
1753
drawing
Metropolitan Museum of Art, New York

Gian Paolo Panini
Four Studies of Running Footmen
1756
drawing
Royal Collection, Great Britain

Giovanni Battista Piranesi
Ruins of Hadrian's Villa
ca. 1777
drawing
Metropolitan Museum of Art, New York

Ignazio Enrico Hugford
Académie
before 1778
drawing
British Museum

Ubaldo Gandolfi
Académie
before 1781
drawing
Museo del Prado, Madrid

Ubaldo Gandolfi
Pan and Syrinx
before 1781
drawing
National Library of Brazil, Rio de Janeiro 

Ubaldo Gandolfi
Study for Two Saint-Martyrs in Clouds
before 1781
drawing
National Library of Brazil, Rio de Janeiro

Giambattista Tiepolo
Head of a Youth
before 1770
drawing
Metropolitan Museum of Art, New York

Giambattista Tiepolo
Fallen Angel
ca. 1752
drawing
Los Angeles County Museum of Art

Gaetano Gandolfi
Académie
ca. 1750
drawing
Cleveland Museum of Art (Ohio)

Gaetano Gandolfi
Académie
late 18th century
drawing
Museo del Prado, Madrid

Gaetano Gandolfi
Prometheus
late 18th century
drawing
National Library of Brazil, Rio de Janeiro

Gaetano Gandolfi
Hercules and Omphale
ca. 1780-90
drawing
Museo del Prado, Madrid

Thursday, November 21, 2019

Beautiful Italy and Classical Landscapes (19th century)

Antonio Acquaroni
Forum of Trajan, Rome
1827
drawing
Minneapolis Institute of Art

Edward Lear
Ear of Dionysius (Orecchio di Dionisio)
1842
drawing
Minneapolis Institute of Art

George Arthur Fripp
View of Tivoli
1842
watercolor and gouache
Minneapolis Institute of Art

The Blue Grotto

The boatman rowed into
That often-sung impasse.
Each visitor foreknew
A floor of lilting glass,
A vault of stone, lit blue.

But here we faced the fact.
As misty expectations
Dispersed, and wavelets thwacked
In something like impatience,
The point was to react.

Alas for characteristics!
Diane fingered the water.
Don tested the acoustics
With a paragraph from Pater.
Jon shut his eyes – these mystics –

Thinking his mantra. Jack
Came out with a one-liner,
While claustrophobiac
Janet fought off a minor
Anxiety attack.

Then from our gnarled (his name?)
Boatman (Gennaro!) burst
Some local, vocal gem
Ten times a day rehearsed.
It put us all to shame:

The astute sob, the kiss
Blown in sheer routine
Unselfconsciousness
Before one left the scene . . .
Years passed, and I wrote this.

– James Merrill (1982)

Gustav Klimt
Renaissance Italy
(decorative painting for the Kunsthistorisches Museum)
1891-
pigment on plaster
Kunsthistorisches Museum, Vienna

Gustav Klimt
Renaissance Florence
(decorative painting for the Kunsthistorisches Museum)
1891
pigment on plaster
Kunsthistorisches Museum, Vienna

Gustav Klimt
Renaissance Venice
(decorative painting for the Kunsthistorisches Museum)
1891
pigment on plaster
Kunsthistorisches Museum, Vienna

Gustav Klimt
Ancient Greece 
(decorative painting for the Kunsthistorisches Museum)
1891
pigment on plaster
Kunsthistorisches Museum, Vienna

Carlo Labruzzi
Grotto of Tiberius at Sperlonga
early 19th century
watercolor
Minneapolis Institute of Art

Carlo Labruzzi
Landscape with Ruins
early 19th century
watercolor
Minneapolis Institute of Art

Elihu Vedder
Storm in Umbria
1875
oil on canvas
Art Institute of Chicago

Jean-Baptiste-Camille Corot
Monte Pincio, Rome
ca. 1840-50
oil on canvas
Art Institute of Chicago

Théodore Caruelle d'Aligny
Corinth - Temple of Neptune
1845
etching
Art Institute of Chicago

Théodore Caruelle d'Aligny
The Acropolis of Athens
1845
etching
Art Institute of Chicago

Jakob Alt
View of the Basilica of Santa Maria in Aracoeli
and the Piazza del Campidoglio, Rome
1835
watercolor
Museum of Fine Arts, Boston