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| Pierre Bonnard View from the Artist's Studio, Le Cannet 1945 oil on canvas Milwaukee Art Museum |
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| Walt Kuhn Sandy 1946 oil on canvas Minneapolis Institute of Art |
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| Walt Kuhn Study for Robert 1946 drawing Minneapolis Institute of Art |
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| Raoul Dufy Le Concert Rouge ca. 1946-49 oil on canvas Milwaukee Art Museum |
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| Patricia Blake Still Life ca. 1947 oil on canvas Minneapolis Institute of Art |
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| Bernard Perlin In the Garden 1949 tempera on paper Princeton University Art Museum |
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| Joseph Cornell Lighted Owl ca. 1949 assemblage (glass, wood, paper) Art Institute of Chicago |
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| Fernand Léger Yellow Guitar and Blue Vase 1950 oil on canvas Milwaukee Art Museum |
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| Fernand Léger The City 1950 watercolor Milwaukee Art Museum |
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| Giorgio Morandi Still Life 1950 oil on canvas Phillips Collection, Washington DC |
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| Giorgio Morandi Still Life 1953 oil on canvas Phillips Collection, Washington DC |
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| Graham Sutherland Three Standing Forms in a Garden 1951 oil on canvas Minneapolis Institute of Art |
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| Graham Sutherland Bird 1953 lithograph Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Paul Cadmus Enzo Asleep 1952 drawing Yale University Art Gallery |
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| Paul Cadmus Mobile 1953 screenprint Yale University Art Gallery |
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| Carel Willink Landscape in Puy de Dôme 1952 oil on canvas Centraal Museum, Utrecht |
And while we went talking thus together, by little and little wee came to her house, and behold the gates of the same were very beautifully set with pillars quadrangle wise, on the top wherof were placed carved statues and images, but principally the Goddess of Victory was so lively and with such excellencie portrayed and set forth, that you would verily have thought that she had flyed, and hovered with her wings hither and thither. On the contrary part, the Image of the goddess Diana was wrought in white marble, which was a marvellous sight to see, for shee seemed as though the winde did blow up her garments, and that she did encounter with them that came into the house. On each side of her were Dogs made of stone, that seemed to menace with their fiery eyes, their pricked eares, their bended nosethrils, and their grinning teeth, in such sort that you would have thought they had bayed and barked. And moreover (which was a greater marvel to behold) the excellent carver and deviser of this worke had fashioned the Dogs to stand up fiercely with their former feet, and their hinder feet on the ground ready to fight.
– Apuleius, The Golden Ass, translated by William Adlington (1566)