Saturday, March 30, 2024

Bobak - Cavaliere d'Arpino - Cézanne - Ciccimarra

Bruno Bobak
Ages of Man
(left panel of triptych)
1965
oil on canvas
Beaverbrook Art Gallery, Fredericton, New Brunswick

Bruno Bobak
Ages of Man
(central panel of triptych)
1965
oil on canvas
Beaverbrook Art Gallery, Fredericton, New Brunswick

Bruno Bobak
Ages of Man
(right panel of triptych)
1965
oil on canvas
Beaverbrook Art Gallery, Fredericton, New Brunswick

Bruno Bobak
Three Men in a Shower
1963
oil on canvas
Beaverbrook Art Gallery, Fredericton, New Brunswick

Cavaliere d'Arpino (Giuseppe Cesari)
Expulsion from Paradise
ca. 1610
drawing
Morgan Library, New York

Cavaliere d'Arpino (Giuseppe Cesari)
Half-Length Figure Study
ca. 1595
drawing
Musée Magnin, Dijon

Cavaliere d'Arpino (Giuseppe Cesari)
Figure supporting a Banner
ca. 1590
drawing
Morgan Library, New York

Cavaliere d'Arpino (Giuseppe Cesari)
Figure Study
ca. 1588-89
drawing
Kupferstichkabinett, Staatliche Museen zu Berlin

Paul Cézanne
House in Provence
ca. 1890
oil on canvas
Barnes Foundation, Philadelphia

Paul Cézanne
Rocks, Pines and Sea at l'Estaque
ca. 1883-85
oil on canvas
Staatliche Kunsthalle, Karlsruhe

Paul Cézanne
The Flowered Vase
ca. 1896-98
oil on canvas
Barnes Foundation, Philadelphia

Paul Cézanne
Tulips in a Vase
ca. 1888-90
oil on paper, mounted on board
Norton Simon Museum, Pasadena

Richard Ciccimarra
The Supplicant
1963
gouache on paper
Art Gallery of Greater Victoria, British Columbia

Richard Ciccimarra
The Yellow Sleeve
1961
gouache on paper
Art Gallery of Greater Victoria, British Columbia

Richard Ciccimarra
Two Worlds
1968
gouache on paper
Art Gallery of Greater Victoria, British Columbia

Richard Ciccimarra
Yellow Plate
ca. 1960
tempera on paper
Art Gallery of Greater Victoria, British Columbia

 from Part Three of The Age of Anxiety

     Obedient to their own mysterious laws of direction, their twisting paths converge, approach their several voices, and collect the four for a startled reunion at the forest's edge. They stare at what they see.

Quant says:
     The climate of enclosure, the cool forest
          Break off abruptly:
     Giddy with the glare and ungoverned heat,
          We stop astonished,
     Interdicted by desert, its dryness edged
          By a scanty scrub
     Of Joshua trees and giant cacti;
          Then, vacant of value,
     Incoherent and infamous sands,
          Rainless regions
     Swarming with serpents, ancestral wastes,
          Lands beyond love.

     Now, with only the last half of the seventh stage to go to finish their journey, for the first time fear and doubt dismay them. Is triumph possible? If so, are they chosen? 

– W.H. Auden (1944-46)