Sunday, June 23, 2024

Winged Figures

Thomas Crawford
Peri at the Gates of Paradise
1854
marble
National Gallery of Art, Washington DC

Joseph Matthias Götz
Angel
ca. 1735-40
giltwood
(altarpiece fragment)
Cleveland Museum of Art, Ohio

Cavaliere d'Arpino (Giuseppe Cesari)
Angel
ca. 1585-90
drawing
Museum Boijmans Van Beuningen, Rotterdam

Bernardino Poccetti (Barbatelli)
Seated Angel
ca. 1595-1610
drawing
National Gallery of Canada, Ottawa

Fritz von Uhde
Model posed as Angel
ca. 1908-1910
oil on canvas
Neue Pinakothek, Munich

Augustus Saint-Gaudens
Amor Caritas
ca. 1880
bronze
National Gallery of Art, Washington DC

Domenico del Barbiere after Rosso Fiorentino
Gloria
ca. 1535-36
engraving
Cleveland Museum of Art, Ohio

Willem van Swanenburg
after Maarten van Heemskerck
Devil and Man with Loot and Statue of Hope
1609
engraving
Ashmolean Museum, Oxford

Anonymous Venetian Artist
Angel of the Annunciation
ca. 1340
marble
National Gallery of Art, Washington DC

Meissen Manufactory (Dresden)
Bound Cupid
ca. 1900
porcelain
National Gallery of Victoria, Melbourne

Charles Meynier
Clio, Muse of History
1800
oil on canvas
Cleveland Museum of Art, Ohio

Pier Francesco Mola
Studies of Musical Angels
ca. 1635
drawing
Museum Boijmans Van Beuningen, Rotterdam

Peter Flötner
Study for Allegorical Figure
of Fortuna 
or Nemesis
ca. 1525
drawing
Museum Boijmans Van Beuningen,
Rotterdam

Jan Cornelisz Vermeyen
Angel Musician
1545
etching and engraving
Museum Boijmans Van Beuningen,
Rotterdam

Fra Bartolomeo
Cherub
ca. 1509
drawing
(study for painting)
Museum Boijmans Van Beuningen, Rotterdam

Ancient Greek Culture in South Italy
Eros
3rd century BC
painted terracotta
Metropolitan Museum of Art, New York

Poem

Wakening with the window over fields
To the coin-clear harness-jingle as a float
Clips by, and each succeeding hoof fall, now remote,
Breaks clean and frost-sharp on the unstopped ear.

The hooves describe an arabesque on space,
A dotted line in sound that falls and rises
As the cart goes by, recedes, turns to retrace
Its way back through the unawakened village.

And space vibrates, enlarges with the sound;
Though space is soundless, yet creates
From very soundlessness a ground
To counterstress the lilting hoof fall as it breaks.

– Charles Tomlinson (1951)