Anonymous Artist A Group Portrait ca. 1755 oil on canvas Fine Arts Museums of San Francisco |
Anonymous Artist Portico with a Lantern ca. 1741-45 oil on canvas (an imitation of Canaletto) Art Institute of Chicago |
Anonymous Artist Miniature Battle Scene ca. 1650-1700 oil on lapis lazuli Bayerisches Nationalmuseum, Munich |
Anonymous Artist Martyrdom of St Ignatius of Antioch ca. 1635-45 oil on canvas (after a painting by Francesco Fracanzano) Galleria Borghese, Rome |
Anonymous Artist Cephalus and Aurora 17th century oil on panel (after a painting by Agostino Carracci) Musée des Beaux-Arts de Bordeaux |
Anonymous Artist Christ the Redeemer ca. 1600-1625 oil on canvas Galleria Nazionale di Parma |
Anonymous Artist Portrait of a Young Woman ca. 1575-80 oil on panel Museum of Fine Arts, Houston |
Anonymous Artist Portrait of a Young Man 16th century oil on canvas Norton Simon Museum, Pasadena, California |
Anonymous Artist Virgin and Child ca. 1520 oil on canvas, mounted on panel Portland Art Museum, Oregon |
Anonymous Artist Madonna del Suffragio ca. 1520 tempera on panel Allen Memorial Art Museum, Oberlin College, Ohio |
Anonymous Artist Virgin and Child with young St John the Baptist ca. 1500-1525 tempera on panel Philbrook Museum of Art, Tulsa, Oklahoma |
Anonymous Artist Portrait of a Young Woman ca. 1500 oil on panel National Gallery of Art, Washington DC |
Anonymous Artist Initial A with Two Marys at the Empty Tomb ca. 1495-1505 tempera on vellum (cutting from illuminated manuscript) North Carolina Museum of Art, Raleigh |
Anonymous Artist Initial D with Martyrdom of St Peter 15th century tempera and gold on vellum (cutting from illuminated manuscript) Royal Ontario Museum, Toronto |
Anonymous Artist Pietà ca. 1470-80 tempera on panel (after a painting by Cosmè Tura) Art Institute of Chicago |
Anonymous Artist Virgin and Child Enthroned ca. 1400-1450 tempera on panel (altarpiece fragment) Birmingham Museum of Art, Alabama |
Spring Snow
Look at the night sky:
I have two selves, two kinds of power.
I am here with you, at the window,
watching you react. Yesterday
the moon rose over moist earth in the lower garden.
Now the earth glitters like the moon,
like dead matter crusted with light.
You can close your eyes now:
I have heard your cries, and cries before yours,
and the demand behind them.
I have shown you what you want:
not belief, but capitulation
to authority, which depends on violence.
– Louise Glück (1992)