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| Baccio Bandinelli Youth posing as a woman c. 1518-19 British Museum |
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| Baccio Bandinelli Youth raising a curtain c. 1518-19 Metropolitan Museum of Art |
Baccio Bandinelli (1493-1560) had mastered the canons of the High Renaissance, applying them during the early days of that elongated variation later known as Mannerism. His work was defined and driven by the Florentine concept of disegno, the idealized shaping and disposition of three-dimensional figures when transferred into two dimensions on the page.
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| Baccio Bandinelli Academic figure 16th century Victoria & Albert Museum |
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| Baccio Bandinelli Seated prophet c. 1535-40 Prado |
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| Baccio Bandinelli Three women 16th century British Museum |
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| Baccio Bandinelli Study of legs c. 1515 British Museum |
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| Baccio Bandinelli Scene of plague 16th century British Museum |
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| Baccio Bandinelli Academic figure 16th century British Museum |
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| Baccio Bandinelli Standing figure 16th century British Museum |
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| Baccio Bandinelli Academic figure 16th century British Museum |
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| Baccio Bandinelli Figure study after Michelangelo 1512 British Museum |
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| Baccio Bandinelli Andrea Doria as Neptune 1520s British Museum |
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| Baccio Bandinelli Figure study 16th century British Museum |
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| Baccio Bandinelli Figure study 16th century British Museum |
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| Baccio Bandinelli Seven women 16th century British Museum |
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| Baccio Bandinelli Studies 16th century British Museum |
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| Baccio Bandinelli Academic figure 16th century British Museum |
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| Baccio Bandinelli Death of Cleopatra 1530s British Museum |
I am grateful to the British Museum for making the majority of these images available.