Thursday, August 30, 2018

Beautiful Pictures According to the Nineteenth Century

Martin Johnson Heade
Magnolia Grandiflora
ca. 1885-95
oil on canvas
Museum of Fine Arts, Boston

Mariano Fortuny
An Ecclesiastic
ca. 1874
oil on panel
Walters Art Museum, Baltimore

Henri Fantin-Latour
Plate of Peaches
1862
oil on canvas
Museum of Fine Arts, Boston

Eugène Delacroix
Christ on the Cross
1846
oil on canvas
Walters Art Museum, Baltimore

Edwin Austin Abbey
A Pavane
1897
oil on canvas
Museum of Fine Arts, Boston

Gustave Caillebotte
Man at his Bath
1884
oil on canvas
Museum of Fine Arts, Boston

Mary Cassatt
Mrs Duffee seated on a Striped Sofa, Reading
1876
oil on panel
Museum of Fine Arts, Boston

The Voice

Above my cradle loomed the bookcase where
Latin ashes and the dust of Greece
mingled with novels, history, and verse
in one dark Babel.  I was folio-high
when I first heard the voices.  'All the world,'
said one, insidious but sure, 'is cake –
let me make you an appetite to match,
and then your happiness need have no end.'
And the other: 'Come, O come with me in dreams
beyond the possible, beyond the known!'
that second voice sang  like the wind in the reeds,
a wandering phantom out of nowhere, sweet
to hear yet somehow horrifying too.
'Now and forever!' I answered, whereupon
my wound was with me – ever since, my Fate:
behind the scenes, the frivolous decors
of all existence, deep in the abyss,
I see distinctly other, brighter worlds;
yet victimized by what I know I see,
I sense the serpent coiling at my heels;
and therefore, like the prophets, from that hour
I've loved the wilderness, I've loved the sea;
no ordinary sadness touches me
though I find savor in the bitterest wine;
how many truths I trade away for lies,
and musing on heaven, stumble over trash . . .
Even so, the voice consoles me: 'Keep your dreams,
the wise have none so lovely as the mad.'

– Charles Baudelaire, from the Additional Poems published with Les Fleurs du Mal (1857) in Richard Howard's translation (David R. Godine, 1982)

Henri de Toulouse-Lautrec
The Model Resting
1889
tempera on panel
Getty Museum, Los Angeles

James McNeill Whistler
Street in Old Chelsea
ca. 1880-85
oil on panel
Museum of Fine Arts, Boston

Henry Oliver Walker
Narcissus
1890s
oil on board
Museum of Fine Arts, Boston

Grieve Family
Theatre Design, probably representing Baghdad
1843
tempera on paper
Victoria & Albert Museum

Robert Henri
Café by Night with Japanese Lanterns
ca. 1895
oil on panel
Museum of Fine Arts, Boston

William Morris Hunt
Italian Peasant Boy
1866
oil on canvas
Museum of Fine Arts, Boston

Edwin Landseer
Victoria, Princess Royal with a Pony
1842
oil on canvas
Royal Collection, Great Britain