These are the principal panels of a large altarpiece made for the Euffreducci family's chapel in the church of San Francesco in Fermo, Italy. Originally the altarpiece consisted of several tiers that were placed in a single frame. The present frames date to the late 1800s.
– curator's notes from the Philadelphia Museum of Art
Vittore Crivelli Altarpiece Virgin and Child enthroned 1481- tempera on panel Philadelphia Museum of Art |
Vittore Crivelli Altarpiece St Bonaventure, St John the Baptist with Ludovico Euffreducci 1481- tempera on panels Philadelphia Museum of Art |
Vittore Crivelli Altarpiece St Francis of Assisi, St Louis of Toulouse 1481 tempera on panels Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ ca. 1500-1520 oil on panels Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ Annunciation ca. 1500-1520 oil on panel Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ Nativity ca. 1500-1520 oil on panel Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ Adoration of the Magi ca. 1500-1520 oil on panel Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ Presentation in the Temple ca. 1500-1520 oil on panel Philadelphia Museum of Art |
Master of Hoogstraeten Altarpiece Altarpiece Scenes from the Infancy of Christ Flight into Egypt ca. 1500-1520 oil on panel Philadelphia Museum of Art |
Josse Lieferinxe Altarpiece fragment St Sebastian destroying the Idols ca. 1497 oil on panel Philadelphia Museum of Art |
Four panels from the altarpiece of the Saint Sebastian Chapel of Notre-Dame-des-Accoules, Marseilles, made in collaboration with Bernardino Simondi. Sebastian, head of the Roman troops under the last pagan emperors, converted to Christianity about 283. In the Middle Ages and the Renaissance his name was invoked against disease, particularly the bubonic plague, because he had survived the torture of the emperor's archers.
– curator's notes from the Philadelphia Museum of Art
Josse Lieferinxe Altarpiece fragment St Sebastian pierced by Arrows ca. 1497 oil on panel Philadelphia Museum of Art |
Josse Lieferinxe Altarpiece fragment St Sebastian succoured by St Irene ca. 1497 oil on panel Philadelphia Museum of Art |
Josse Lieferinxe Altarpiece fragment Martyrdom of St Sebastian ca. 1497 oil on panel Philadelphia Museum of Art |