Jacqueline Geldart Posthumous Portrait of Simon Yorke IV 1977 oil on canvas National Trust, Erddig Hall, Wrexham, Wales |
John Downton Posthumous Portrait of Frances Witts ca. 1935-40 tempera on panel Ashmolean Museum, Oxford |
Joe McIntyre Derek in Evening Light ca. 1979 oil on canvas McManus Gallery, Dundee, Scotland |
Philip de László Portrait of Pope Pius XI 1924 oil on canvas Bodleian Library, Oxford |
Glyn Philpot Portrait of Frank Coombs ca. 1930 oil on canvas Victoria Art Gallery, Bath |
Maurice Greiffenhagen Portrait of Sir William Julien Courtauld 1928 oil on canvas Braintree District Museum, Essex |
Jacques-Emile Blanche Portrait of Max Beerbohm 1903 oil on canvas Ashmolean Museum, Oxford |
Reginald Grange Brundrit Yeoman Stock ca. 1959 oil on canvas Ashmolean Museum, Oxford |
from Le Monocle de Mon Oncle
The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.
– Wallace Stevens (1918)
John Currie Portrait of Mark Gertler 1913 oil on canvas The Potteries Museum and Art Gallery, Stoke-on-Trent |
William Rothenstein Portrait of John Drinkwater ca. 1918 oil on canvas National Portrait Gallery, London |
Ronald Hodson Self Portrait 1940 oil on canvas Salford Museum and Art Gallery, Manchester |
Job Nixon Portrait of a Man ca. 1936 oil on canvas The Potteries Museum and Art Gallery, Stoke-on-Trent |
Edward Baird Portrait of James Carson 1944 oil on canvas Scottish National Gallery of Modern Art, Edinburgh |
André Derain Portrait of Bartolomeo Savona 1906 oil on canvas Barber Institute of Fine Arts, University of Birmingham |
Clare Duncan Laurence Olivier as Coriolanus 1959 oil on canvas Royal Shakespeare Theatre, Stratford |