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| Agnolo Bronzino Portrait of Lucrezia Panciatichi ca. 1540 oil on panel Galleria degli Uffizi, Florence |
A prime reason, we must add, why sundry impressions were not to be fully present to the girl till later on was that they yielded at this stage, with an effect of sharp supersession, to a detached quarter of an hour – her only one – with Lord Mark. "Have you seen the picture in the house, the beautiful one that's so like you?" – he was asking that as he stood before her; having come up at last with his smooth intimation that any wire he had pulled and yet wanted not to remind her of wasn't quite a reason for his having no joy at all.
"I've been through rooms and I've seen pictures. But if I'm 'like' anything so beautiful as most of them seemed to me – !" It needed in short for Milly some evidence which he only wanted to supply. She was the image of the wonderful Bronzino, which she must have a look at on every ground. He had thus called her off and led her away; the more easily that the house within was above all what had already drawn round her its mystic circle.
* * *
It was all the while for Milly as if Lord Mark had really had something other than this spoken pretext in view; as if there were something he wanted to say to her and were only – consciously yet not awkwardly, just delicately – hanging fire. At the same time it was as if the thing had practically been said by the moment they came in sight of the picture; since what it appeared to amount to was "Do let a fellow who isn't a fool take care of you a little." The thing somehow, with the aid of the Bronzino, was done; it hadn't seemed to matter to her before if he were a fool or no; but now, just where they were, she liked his not being; and it was moreover none the worse for coming back to something of the same sound as Mrs. Lowder's so recent reminder. She too wished to take care of her – and wasn't it, à peu près, what all the people with the kind eyes were wishing? Once more things melted together – the beauty and the history and the facility and the splendid midsummer glow: it was a sort of magnificent maximum, the pink dawn of an apotheosis coming so curiously soon. What in fact befell was that, as she afterwards made out, it was Lord Mark who said nothing in particular – it was she herself who said all. She couldn't help that – it came; and the reason it came was that she found herself, for the first moment, looking at the mysterious portrait through tears. Perhaps it was her tears that made it just then so strange and fair – as wonderful as he had said: the face of a young woman, all splendidly drawn, down to the hands, and splendidly dressed; a face almost livid in hue, yet handsome in sadness and crowned with a mass of hair, rolled back and high, that must, before fading with time, have had a family resemblance to her own. The lady in question, at all events, with her slightly Michael-angelesque squareness, her eyes of other days, her full lips, her long neck, her recorded jewels, her brocaded and wasted reds, was a very great personage – only unaccompanied by a joy. And she was dead, dead, dead. Milly recognised her exactly in words that had nothing to do with her. "I shall never be better than this."
He smiled for her at the portrait. "Than she? You'd scarce need to be better, for surely that's well enough. But you are, one feels, as it happens, better; because, splendid as she is, one doubts if she was good."
He hadn't understood. She was before the picture, but she had turned to him, and she didn't care if he noticed her tears. It was probably as good a moment as she should ever have with him. It was perhaps as good a moment as she should have with any one, or have in any connexion whatever. "I mean that everything this afternoon has been too beautiful, and that perhaps everything together will never be so right again. I'm very glad therefore you've been a part of it."
Though he still didn't understand her he was as nice as if he had; he didn't ask for insistence, and that was just a part of his looking after her. He simply protected her now from herself, and there was a world of practice in it. "Oh we must talk about these things!"
Ah they had already done that, she knew, as much as she ever would; and she was shaking her head at her pale sister the next moment with a world, on her side, of slowness. "I wish I could see the resemblance. Of course her complexion's green," she laughed, "but mine's several shades greener."
"It's down to the very hands," said Lord Mark.
"Her hands are large," Milly went on, "but mine are larger. Mine are huge."
"Oh you go her, all round, 'one better' – which is just what I said. But you're a pair. You must surely catch it," he added as if it were important to his character as a serious man not to appear to have invented his plea.
"I don't know – one never knows one's self. It's a funny fancy, and I don't imagine it would have occurred –"
"I see it has occurred" – he had already taken her up. She had her back, as she faced the picture, to one of the doors of the room, which was open, and on her turning as he spoke she saw that they were in the presence of three other persons, also, as appeared, interested enquirers. Kate Croy was one of these; Lord Mark had just become aware of her, and she, all arrested, had immediately seen, and made the best of it, that she was far from being first in the field. She had brought a lady and a gentleman to whom she wished to show what Lord Mark was showing Milly, and he took her straightway as a re-enforcement. Kate herself had spoken, however, before he had time to tell her so.
"You had noticed too?" – she smiled at him without looking at Milly. "Then I'm not original – which one always hopes one has been. But the likeness is so great." And now she looked at Milly – for whom again it was, all round indeed, kind, kind eyes. "Yes, there you are, my dear, if you want to know. And you're superb." She took now but a glance at the picture, though it was enough to make her question to her friends not too straight. "Isn't she superb?"
"I brought Miss Theale," Lord Mark explained to the latter, "quite off my own bat."
"I wanted Lady Aldershaw," Kate continued to Milly, "to see for herself."
"Les grands esprits se rencontrent!" laughed her attendant gentleman, a high but slightly stooping, shambling and wavering person who represented urbanity by the liberal aid of certain prominent front teeth and whom Milly vaguely took for some sort of great man.
Lady Aldershaw meanwhile looked at Milly quite as if Milly had been the Bronzino and the Bronzino only Milly. "Superb, superb. Of course I had noticed you. It is wonderful," she went on with her back to the picture, but with some other eagerness which Milly felt gathering, felt directing her motions now. It was enough – they were introduced, and she was saying "I wonder if you could give us the pleasure of coming –"
– Henry James, The Wings of the Dove (New York Edition, 1909)