Friday, March 6, 2020

Tight Compositions in Paint - After 1900

Charles Tunnicliffe
Cob
ca. 1938
oil on silk
Manchester Art Gallery

René Magritte
The Empty Mask (Le masque vide)
1928
oil on canvas
National Museum Cardiff (Wales)

Robert Colquhoun
Mater Dolorosa
1958
oil on canvas
Manchester Art Gallery

Peter Harris
Save the World by Margret Harris 1967
(Blackbird and James Dean)
1998
oil on board
Bristol Museum and Art Gallery

Fernand Léger
Nature morte avec un vase
1925
oil on canvas
Aberdeen Art Gallery, Scotland

Charles Maussion
Portrait
1974
acrylic on paper
Sainsbury Centre for Visual Arts, University of East Anglia, Norwich

It was an oddity of Mrs. Lowder's that her face in speech was like a lighted window at night, but that silence immediately drew the curtain.  The occasion for reply allowed by her silence was never easy to take, yet she was still less easy to interrupt.  The great glaze of her surface, at all events, gave her visitor no present help.  "I didn't ask you to come to hear what it isn't – I asked you to come to hear what it is."   

– Henry James, The Wings of the Dove (New York Edition, 1909)

Charles Burton
Marion's Jugs
1984
oil on canvas
National Museum Cardiff (Wales)

Lisa Milroy
Handles
1989
oil on canvas
Walker Art Gallery, Liverpool

John Armstrong
Flags and Classical Armour about a Column
ca. 1930-35
oil on canvas
Bristol Museum and Art Gallery

Josef Herman
Miners
ca. 1951
oil on canvas
Southampton City Art Gallery

Eliot Hodgkin
Two Hyacinth Bulbs
1966
tempera on board
Whitworth Art Gallery, University of Manchester

Terry Frost
Black and Dust Pink
1978
oil on canvas
Birmingham Museum and Art Gallery, West Midlands

John Worsley
Portrait of John Henry 'Rob' Derbyshire
1948
oil on canvas
Victoria Baths, Manchester

Francis Bacon
Study of a Head
1952
oil on canvas
Yale Center for British Art

Lucian Freud
The Painter's Brother, Stephen
1985-86
oil on canvas
National Museum Cardiff (Wales)