Tuesday, July 14, 2020

Strong Colors, Familiar Objects (Selectively Distorted) - II

Bruce McLean
The Throw, The Post, The Bananas, The Tray
1980
acrylic and pastel on paper
British Council Collection, London

Margaret Mellis
Red Flower
1958
oil on board
Museums Sheffield, Yorkshire

Hughie O'Donoghue
Saltwater 4
2010
oil on canvas
Trinity Hall, University of Cambridge

Robin Philipson
Byzantine Altar
1974
oil on canvas
Heriot Watt University, Edinburgh

Patrick Procktor
Figures at Night
1962
oil on board
Burton Gallery, University of Leeds

June Redfern
The Arc
1985
oil on canvas
Laing Art Gallery, Newcastle-upon-Tyne

from I had a dream . . . 

I had a dream I was Helen of Troy
In looks, age and circumstance,
But otherwise I was myself.

It was the ninth year of the siege
And I did not love anybody very much
Except perhaps Cassandra . . .

           *            *           *

It's odd, I said (to Cassandra, of course) how
Everything one has ever read about Troy
As they have always been such splendid writers who were writing
Naturally gets into one's conversation . . .

            *            *           *

Paris was stupid, it was impossible to talk to him.
Hector might have been different, at least he understood enough
To be offended – fear of the gods again, I suppose – because
When I said: Well, you know what the Trojan Women
Are going to say about the sack of Troy and being led away
Into captivity, they are going to say: If these things
Had not happened to us we should not be remembered. I hope that
Will be a comfort to you. He was angry and said
I should bring ill luck to Troy by my impiety . . .

– Stevie Smith (ca. 1966)

Anne Redpath
The Ladies' Garden, Palácio dos Marqueses de Fronteira, Lisbon
ca. 1962
oil on board
University of Edinburgh

Paula Rego
The Bride's Secret Diary
1981
acrylic and collage on canvas
Rugby Art Gallery and Museum, Warwickshire

Charles Sims
Sketch for Someone Passes
ca. 1920
oil on paper
Ulster Museum, Belfast

Tony Smith
An Angel, the Knight, Death and the Devil
1980
oil on paper
Southbank Centre, London

Alfred Stockham
Still Life
2004
oil on canvas
Royal West of England Academy, Bristol

Ronald Thain
Untitled
1970
oil on board
Robert Gordon University, Aberdeen

Michael Wishart
Moths on a Blue Path
1963
oil on canvas
New Art Gallery, Walsall, West Midlands

Brian Yale
Hand of Destiny No. 2
1969-70
enamel on board
Wolverhampton Art Gallery, West Midlands

Richard Young
Morning Interior
1957
oil on panel
Victoria Gallery and Museum, Liverpool