Wednesday, November 17, 2021

Solitary Pursuits in the Dutch Seventeenth Century

Joachim Wtewael
Kitchen Maid
ca. 1620-25
oil on canvas
Centraal Museum, Utrecht

Eglon van der Neer
Woman at Breakfast
1665
oil on panel
Liechtenstein Museum, Vienna

Gerard ter Borch
Woman reading a Letter
ca. 1665
oil on canvas
Wallace Collection, London

Gabriël Metsu
Man writing a Letter
ca. 1665
oil on canvas
National Gallery of Ireland, Dublin

Cornelis de Man
Scholar in his Study
ca. 1654
oil on canvas
private collection

Thomas Wyck
Scholar in his Study
before 1677
oil on canvas
Hallwyl Museum, Stockholm

Olivier van Deuren
Young Astronomer
ca. 1685
oil on panel
National Gallery, London

attributed to Jan Davidsz de Heem
Painter at Work
ca. 1630
oil on panel
Museum of Fine Arts, Boston

Caspar Netscher
Violin Player
ca. 1655-85
oil on panel
Statens Museum for Kunst, Copenhagen

Hendrick ter Brugghen
Boy Playing the Violin and Singing
ca. 1625
oil on canvas
Gemäldegalerie, Berlin

Dirck van Baburen
Flute Player
1620
oil on canvas
Gemäldegalerie, Berlin

Jan Gerritsz van Bronchorst
Young Man playing the Theorbo
ca. 1642-45
oil on canvas
Museo Thyssen-Bornemisza, Madrid

Jacob van Campen
Woman at her Toilette
ca. 1650-55
oil on canvas
Museum Bredius, The Hague

Jan Steen
Woman at her Toilette
1663
oil on canvas
Royal Collection, Great Britain

Jacob van Loo
Young Woman going to Bed
ca. 1650-60
oil on canvas
Musée des Beaux-Arts de Lyon

Rummage Sale

Forgive me, Aunt Phyllis, for rejecting the cut
glass dishes – the odd set you gathered piece
by piece from thirteen boxes of Lux laundry soap.

Pardon me, eggbeater, for preferring the whisk;
and you, small ship in a bottle, for the diminutive
size of your ocean. Please don't tell my mother,

hideous lamp, that the light you provided
was never enough. Domestic deities, do not be angry
that my counters are not white with flour;

no one is sorrier than I, iron skillet, for the heavy
longing for lightness directing my mortal hand.
And my apologies, to you, above all,

forsaken dresses, that sway from a rod between
ladders behind me, clicking your plastic tongues
at the girl you once made beautiful,

and the woman, with a hard heart and
softening body, who stands in the driveway
making change.

– Jennifer Maier (2013)