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| Cima da Conegliano Virgin and Child enthroned with St James the Greater and St Jerome 1489 tempera on canvas Museo Civico, Vicenza |
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| Cima da Conegliano Pietà with the Virgin and Saints ca. 1490 oil on panel Gallerie dell'Accademia, Venice |
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| Cima da Conegliano Rest on the Flight into Egypt with St John the Baptist, St Lucy and Two Angels ca. 1496-98 tempera and oil on panel Museu Calouste Gulbenkian, Lisbon |
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| Cima da Conegliano Virgin and Child 1502 oil on panel Städel Museum, Frankfurt |
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| Cima da Conegliano Incredulity of Thomas ca. 1502-1504 oil on panel National Gallery, London |
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| Cima da Conegliano Incredulity of Thomas (detail) ca. 1502-1504 oil on panel National Gallery, London |
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| Cima da Conegliano Incredulity of Thomas (detail) ca. 1502-1504 oil on panel National Gallery, London |
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| Cima da Conegliano Incredulity of Thomas (detail) ca. 1502-1504 oil on panel National Gallery, London |
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| Cima da Conegliano The Lamentation with St Francis and St Bernardino ca. 1502-1505 oil on panel Galleria Estense, Modena |
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| Cima da Conegliano Christ among the Doctors 1504 oil on panel National Museum, Warsaw |
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| Cima da Conegliano Polyptych - St John the Baptist with Saints ca. 1504-1507 oil on panels Chiesa di San Giovanni Battista, San Fior |
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| Cima da Conegliano Armoured Warrior attacking a Centaur ca. 1506 oil on panel Museo Poldi Pezzoli, Milan |
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| Cima da Conegliano Virgin and Child with St Francis and St Clare 1510 oil on panel Metropolitan Museum of Art, New York |
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| Cima da Conegliano Virgin and Child enthroned with St John the Baptist and the Magdalen ca. 1511-13 oil on panel Musée du Louvre |
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| Cima da Conegliano St Peter enthroned with St John the Baptist and St Paul 1515-16 oil on panel Pinacoteca di Brera, Milan |
Giovanni Battista Cima, called Cima da Conegliano – Venetian painter from Conegliano, established in Venice from before 1492 to 1516. He may have studied under Alvise Vivarini, but was mainly influenced by Antonello da Messina and Giovanni Bellini. His style changed little during his career and he not only repeated entire compositions but actually re-used the same cartoons for several works; he also ran a large studio, so that many works attributable to him are not to any great extent autograph. His earliest dated painting is a sacra conversazione for Vicenza, 1489 (now Vicenza, Museo Civica).
– Erika Langmuir and Norbert Lynton, Yale Dictionary of Art and Artists (2000)