Jean-Antoine Watteau Studies of a Shell before 1721 drawing Musée du Louvre |
Jean-Antoine Watteau Sheet of Head Studies ca. 1712-15 drawing Musée du Louvre |
Jean-Antoine Watteau Sheet of Head Studies 1717 drawing Musée du Louvre |
Jean-Antoine Watteau Figure Studies before 1721 drawing Musée du Louvre |
Jean-Antoine Watteau Kneeling Figure (Satyr unveiling Nymph) ca. 1716 drawing Musée du Louvre |
François Boucher Reclining Youth before 1770 drawing Musée du Louvre |
François Boucher Venus at the Forge of Vulcan ca. 1747 drawing Musée du Louvre |
François Boucher Christ before Caiaphas before 1770 drawing Musée du Louvre |
François Boucher Académie ca. 1750 drawing Musée du Louvre |
François Boucher Académie ca. 1750 drawing Musée du Louvre |
Charles-Antoine Coypel Diana and Actaeon before 1752 drawing (study for overdoor painting) Musée du Louvre |
Charles-Antoine Coypel Diana and Endymion before 1752 drawing (study for overdoor painting) Musée du Louvre |
Charles-Antoine Coypel Leander swimming the Hellespont before 1752 drawing (study for overdoor painting) Musée du Louvre |
Charles-Antoine Coypel Sleeping Nymph discovered by Youth before 1752 drawing (study for overdoor painting) Musée du Louvre |
Charles-Antoine Coypel France rendering Thanks for the Recovery of Louis XV 1744 drawing, with pastel (study for painting) Musée du Louvre |
For the Grave of Posterity
This stone that is
not here and bears no writing commemorates
the emptiness at the end of
history listen you without vision you can still
hear it there is
nothing it is the voice with the praises
that never changed that called to the unsatisfied
as long as there was
time
whatever it could have said of you is already forgotten
– W.S. Merwin (1963)