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| Alec Soth Adelyn - Ash Wednesday, New Orleans, La. 2000 C-print Milwaukee Art Museum |
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| Alec Soth Dallas City, Illinois 2002 C-print Minneapolis Institute of Art |
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| Alec Soth Falls #26 2005 C-print Minneapolis Institute of Art |
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| Alec Soth Lightbulb in Woods 2006 inkjet-print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Alec Soth Photographer Nancy Rexroth 2018 inkjet print Cincinnati Art Museum |
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| Jacques Garnier and Douglas McCulloh Christian (San Clemente, CA) 2000 C-print Los Angeles County Museum of Art |
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| Jacques Garnier and Douglas McCulloh Omar (San Clemente, CA) 2000 C-print Los Angeles County Museum of Art |
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| Aude de Pasquier Grall Rounded Young Man (Male Cycle) 2001-2004 video still Brooklyn Museum |
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| Aude de Pasquier Grall Young Man with Orange (Male Cycle) 2001-2004 video still Brooklyn Museum |
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| Aude de Pasquier Grall Young Man with Plums (Male Cycle) 2001-2004 video still Brooklyn Museum |
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| Thomas Struth Audience 1 (Galleria dell'Accademia, Florence) 2004 C-print Minneapolis Institute of Art |
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| Larry Fink The Oscars 2005 inkjet print Cleveland Museum of Art |
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| Duane Michals A great wave of melancholy swept over Tanya 2005 C-print Cincinnati Art Museum |
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| Edward Burtynsky Iberia Quarries #2, Bencatel, Portugal 2006 C-print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Edward Burtynsky Iberia Quarries #8, Pardais, Portugal 2006 C-print Phillips Collection, Washington DC |
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| David Teplica Male Torso #5 ca. 2010 gold-platinum print Minneapolis Institute of Art |
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| Jillian Edelstein Artists Fiona Banner (The Vanity Pres) and Bob & Roberta Smith (Patrick Brill) 2012 pigment print National Portrait Gallery, London |
Kandinsky's Night
The blue half-moon overhead glides by like a skate
While, as if underwater, a girl with the stare
Of a sunken ship's figurehead combs
Her flowing green hair.
Unmoving, a witch moves, a vacant rocking-chair,
Saying, Never mind, it's too late.
A little girl clutches the pretty one's dress.
Her hair glows like a seashell, her face is a pearl,
She can't understand the low murmur she hears
Nor the hypnotic swirl
Of the changing seafloor where pink plumes unfurl
Like reaching arms, like the eroding caress
That could swallow a ship, that prods the whale waking
Stretched out on the beach; that so changes your face
You're aghast before the glass;
That quickens the pace
In the traveler's nightmare of running in place:
That fabled hag's Never mind. The unmaking.
– Gjertrud Schnackenberg (1974)