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| William Eggleston Jackson, Mississippi ca. 1969 dye transfer print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| William Eggleston Huntsville, Alabama 1971 dye transfer print Milwaukee Art Museum |
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| William Eggleston Sumner, Mississippi ca. 1972 dye transfer print Chrysler Museum of Art, Norfolk, Virginia |
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| Michael Peto Ian McKellen 1969 bromide print National Portrait Gallery, London |
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| Joel Meyerowitz Untitled (Central Park Scene) 1969 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Diane Arbus King and Queen of Senior Citizens' Dance, N.Y.C. 1970 gelatin silver print Yale University Art Gallery |
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| Diane Arbus Untitled 1970-71 gelatin silver print Chrysler Museum of Art, Norfolk, Virginia |
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| Richard Avedon Jean Genet, New York City 1970 gelatin silver print Cleveland Museum of Art |
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| Leon Levinstein Houston Street 1970 gelatin silver print Minneapolis Institute of Art |
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| Larry Clark Untitled 1971 gelatin silver print Minneapolis Institute of Art |
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| Lee Friedlander Statue, New Jersey 1971 gelatin silver print Minneapolis Institute of Art |
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| Bill Owens I Really Love Him ca. 1972 gelatin silver print Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Larry Fink Parsons School of Design Costume Party 1972 gelatin silver print Minneapolis Institute of Art |
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| Duane Michals Chance Meeting 1972 gelatin silver prints Victoria & Albert Museum, London |
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| Louis Faurer Bowing for the Vogue Collections, Paris 1972 gelatin silver print Milwaukee Art Museum |
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| Louis Faurer New York 1973 gelatin silver print Milwaukee Art Museum |
Walking to Work
It's going to be the sunny side
from now
on. Get out, all of you.
This is my traffic over the night
and how
should I range my pride
each oceanic morning like a cutter
if I
confuse the dark world is round
round who
in my eyes at morning saves
nothing from nobody? I'm becoming
the street.
Who are you in love with?
me?
Straight against the light I cross.
– Frank O'Hara (1926-1966)