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| Consuelo Kanaga Mark Rothko 1951 gelatin silver print Brooklyn Museum |
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| Max Dupain At Newport 1952 gelatin silver print National Gallery of Victoria, Melbourne |
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| John Deakin Self Portrait 1952 bromide print National Portrait Gallery, London |
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| N. Jay Jaffee Brooklyn Plaza 1953 selenium-toned gelatin silver print Brooklyn Museum |
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| Vivian Cherry 3rd Avenue El (14th Street Station, Window, Large Stove) 1955 gelatin silver print Brooklyn Museum |
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| Vivian Cherry Watching the Tearing-Down of the 3rd Avenue El 1955 gelatin silver print Brooklyn Museum |
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| Vivian Cherry Watching the Tearing-Down of the 3rd Avenue El 1955 gelatin silver print Brooklyn Museum |
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| Cecil Beaton Ninette de Valois 1955 bromide print National Portrait Gallery, London |
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| Marion Wesp Archipenko and Students at his Studio in Woodstock ca. 1955 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Peter Basch Elizabeth Taylor 1955 bromide print National Portrait Gallery, London |
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| Chim (David Seymour) Ingrid Bergman with her son Robertino Rossellini 1956 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Chim (David Seymour) Audrey Hepburn on the set of Funny Face, Paris 1956 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Sidney and Abraham Waintrob Raphael Soyer 1956 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Sidney and Abraham Waintrob Robert Motherwell 1957 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Bruno Benini Gretta Miers in Cocktail Dress and Cape at the National Gallery of Victoria 1956 gelatin silver print National Gallery of Victoria, Melbourne |
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| Bruno Benini Janet Dawson in Evening Gown and Wrap 1957 gelatin silver print National Gallery of Victoria, Melbourne |
But though he longs to soften, soothe her sorrow
and turn aside her troubles with sweet words,
though groaning long and shaken in his mind
because of his great love, nevertheless
pious Aeneas carries out the gods'
instructions. Now he turns back to his fleet.
At this the Teucrians indeed fall to.
They launch their tall ships all along the beach;
they set their keels, well-smeared with pitch, afloat.
The crewmen, keen for flight, haul from the forest
boughs not yet stripped of leaves to serve as oars
and timbers still untrimmed.
– the Trojans prepare to depart, from Book IV of Virgil's Aeneid, translated by Allen Mandelbaum (1971)