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| Andres Serrano Dante's Inferno 1990 C-print Indianapolis Museum of Art |
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| Neil Winokur On the Road 1990 C-print Denver Art Museum |
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| Eberhard Grames Coal Gang, Schwerin, GDR 1990 C-print Yale University Art Gallery |
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| Ralph Gibson Four Star Restaurant, Dijon, France 1990 C-print Brooklyn Museum |
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| Bill Henson Untitled ca. 1990 C-print National Gallery of Victoria, Melbourne |
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| Jack Pierson Angel Youth 1990 C-print Denver Art Museum |
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| Jack Pierson Palm Springs 1990 C-print Denver Art Museum |
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| David Teplica Untitled (the Dworkin Twins) 1990 selenium-toned gelatin silver print Yale University Art Gallery |
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| Robert Besanko Woman on Horse, Tarascon, France 1991 Kodalith print Yale University Art Gallery |
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| John Pfahl Niagara Falls, Niagara River, NY 1991 C-print Denver Art Museum |
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| Laurie Simmons Magnum Opus II (the Bye-Bye) 1991 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Viva Gibb Sybil Gibb 1991 hand-colored gelatin silver print National Gallery of Victoria, Melbourne |
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| Tom Zetterstrom Coast Oak 1991 gelatin silver print Yale University Art Gallery |
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| Jerome Liebling Woman buying Peaches, Brighton Beach, Brooklyn, NY 1991 C-print Yale University Art Gallery |
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| Rennie Ellis Dancing People, Razor Club 1991 gelatin silver print National Gallery of Victoria, Melbourne |
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| Petah Coyne Untitled 735 1992 gelatin silver print Denver Art Museum |
This said, her hideous presence heads for earth.
And from the home of the appalling Furies
and hellish darkness she calls up the dread
Allecto, in whose heart are gruesome wars
and violence and fraud and injuries:
a monster, hated even by her father,
Pluto, and by her own Tartarean sisters,
so many are the shapes that she takes on,
so fierce her forms, so thick her snakes that swarm
in blackness.
– Juno summons Allecto to incite new harm, from Book VII of Virgil's Aeneid, translated by Allen Mandelbaum (1971)