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| Andreas Feininger European Beech 1962 gelatin silver print Yale University Art Gallery |
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| Daniel Farber Sugar Maple 1962 dye transfer print Yale University Art Gallery |
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| Sidney and Abraham Waintrob Patrick Heron 1962 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Sidney Waintrob Sonia Delaunay 1965 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Hollis Frampton James Rosenquist 1963 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| Philippe Halsman Joanne Woodward and Paul Newman 1963 gelatin silver print Brooklyn Museum |
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| David Plowden Abandoned Railroad Depot, Wilkes-Barre, Pennsylvania 1964 gelatin silver print Albright-Knox Art Gallery, Buffalo, New York |
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| David Moore Bar Billiards, Lancelin, Western Australia 1963 gelatin silver print National Gallery of Victoria, Melbourne |
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| Ralph Gibson Untitled 1964 gelatin silver print Phillips Collection, Washington DC |
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| Lee Friedlander England 1964 gelatin silver print Yale University Art Gallery |
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| Athol Shmith Judy Garland 1964 gelatin silver print National Gallery of Victoria, Melbourne |
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| Lewis Morley Siân Phillips and her daughter Kate O'Toole ca. 1965 gelatin silver print Yale Center for British Art |
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| Lewis Morley Joe Orton Tattoo 1965 gelatin silver print Yale Center for British Art |
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| Nat Finkelstein Untitled (Andy Warhol) ca. 1966 gelatin silver print Brooklyn Museum |
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| Andreas Feininger Tree Trunk 1966 gelatin silver print Yale University Art Gallery |
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| Franz Bader Bark I 1967 C-print Phillips Collection, Washington DC |
Aeneas on the high stern now was set
to leave; he tasted sleep; all things were ready.
And in his sleep a vision of the god
returned to him with that same countenance –
resembling Mercury in everything:
his voice and coloring and yellow hair
and all his handsome body, a young man's –
and seemed to bring a warning once again:
"You, goddess-born, how can you lie asleep
at such a crisis? Madman, can't you see
the threats around you, can't you hear the breath
of kind west winds? She conjures injuries
and awful crimes, she means to die, she stirs
the shifting surge of restless anger. Why
not flee this land headlong, while there is time?
You soon will see the waters churned by wreckage,
ferocious torches blaze, and beaches flame,
if morning finds you lingering on this coast."
– Aeneas admonished to hasten beyond Dido's reach, from Book IV of Virgil's Aeneid, translated by Allen Mandelbaum (1971)