Sunday, September 22, 2024

Corner to Corner, Edge to Edge - I

Annibale Carracci
Dead Christ with Instruments of the Passion
ca. 1582
oil on canvas
Staatsgalerie, Stuttgart

Joachim Wtewael
Marriage of Peleus and Thetis
1610
oil on panel
Rhode Island School of Design, Providence

Sebastiano Ricci
Susanna and the Elders
ca. 1690-1700
oil on canvas
Galleria Nazionale di Parma

Master of the Freising Visitation
The Crucifixion
ca. 1470-80
oil on panel
Detroit Institute of Arts

Giovanni Battista Langetti
Sisyphus
ca. 1660
oil on canvas
Detroit Institute of Arts

Hans von Aachen after Bartholomeus Spranger
Venus and Mars
ca. 1590
drawing
Statens Museum for Kunst, Copenhagen

attributed to John Baptist de Medina
Family of John Hay, 1st Marquess of Tweeddale
ca. 1695
oil on canvas
Scottish National Portrait Gallery, Edinburgh

Giorgio Vasari
Temptation of St Jerome
1541
oil on panel
Galleria Palatina, Palazzo Pitti, Florence

Evert Collier
Trompe l'oeil Letter-rack
ca. 1703
oil on canvas
Museum De Lakenhal, Leiden

Guido Reni
The Meeting of David and Abigail
ca. 1615-20
oil on canvas
Chrysler Museum of Art, Norfolk, Virginia

Donald Friend
Sunbathers II
ca. 1970
drawing, with gouache
Art Gallery of New South Wales, Sydney

David Teniers the Younger
Archduke Leopold Wilhelm in his Gallery of Italian Paintings in Brussels
(the majority of these works now in the Kunsthistorisches Museum)
1651
oil on canvas
Kunsthistorisches Museum, Vienna

Pierre Théron
Garlic against Red Background
ca. 1957
oil on canvas
Musée des Augustins de Toulouse

Lovis Corinth
Bacchanal
ca. 1885
oil on canvas
Landesmuseum, Hannover

Carlo Portelli
Virgin and Child
with St Margaret and young St John the Baptist

ca. 1545-50
oil on panel
Princeton University Art Museum

Giovanni Benedetto Castiglione (il Grechetto)
The Artist inspired by his Genius
ca. 1647-48
etching
National Gallery of Canada, Ottawa

from The Wanderings of Oisin

But now the moon like a white rose shone
In the pale west, and the sun's rim sank,
And clouds arrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps. 

– W.B. Yeats (1889)