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| Lewis Morley Charlotte Rampling, London ca. 1963 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Lewis Morley Fashion Model with Umbrella and Nun in the Street ca. 1955-60 gelatin silver print National Gallery of Australia, Canberra |
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| Lewis Morley Hyde Park ca. 1965 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Lewis Morley Joe Orton, London 1965 gelatin silver print Art Gallery of New South Wales, Sydney |
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| Tom Phillips La Peinture Anglaise Aujourd'hui Musée de la Ville de Paris 1975 lithograph (exhibition poster) National Gallery of Australia, Canberra |
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| Tom Phillips Dante in his Study 1979-82 screenprint National Gallery of Australia, Canberra |
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| Tom Phillips After Raphael 1963 screenprint National Gallery of Australia, Canberra |
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| Tom Phillips Blue Volkswagen behind Sculpture 1972 lithograph National Gallery of Australia, Canberra |
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| Alan Oldfield Red Table 1971 colored pencils on paper National Gallery of Australia, Canberra |
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| Alan Oldfield Two Chairs 1971 gouache, watercolor and colored pencils on paper National Gallery of Australia, Canberra |
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| Alan Oldfield Lovers 1966 acrylic on panel Art Gallery of New South Wales, Sydney |
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| Alan Oldfield Interior with Banana Chair 1973 acrylic on canvas Art Gallery of New South Wales, Sydney |
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| John Passmore Bathers ca. 1940-50 oil on board National Gallery of Australia, Canberra |
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| John Passmore Bathers ca. 1940-50 oil on board National Gallery of Australia, Canberra |
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| John Passmore Bathers ca. 1950-55 oil on board National Gallery of Australia, Canberra |
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| John Passmore Self Portrait ca. 1945 oil on canvas National Gallery of Australia, Canberra |
Who's Who
A shilling life will give you all the facts:
How Father beat him, how he ran away,
What were the struggles of his youth, what acts
Made him the greatest figure of his day:
Of how he fought, fished, hunted, worked all night,
Though giddy, climbed new mountains; named a sea:
Some of the last researchers even write
Some of the last researchers even write
Love made him weep his pints like you and me.
With all his honours on, he sighed for one
Who, say astonished critics, lived at home;
Did little jobs about the house with skill
And nothing else; could whistle; would sit still
Or potter round the garden; answered some
Of his long marvellous letters but kept none.
– W.H. Auden (1934)