Cato - Dallwitz - Buchholz - Smart

Jack Cato
Still Life
1932
gelatin silver print
National Gallery of Australia, Canberra

Jack Cato
Rexona for Beauty
ca. 1928
gelatin silver print
National Gallery of Australia, Canberra

Jack Cato
Mélisande
ca. 1932
gelatin silver print
National Gallery of Australia, Canberra

Jack Cato
The Duchess of Leinster
1911
carbon print
National Gallery of Australia, Canberra

David Dallwitz
Reclining Figure II
1988
linocut
Art Gallery of South Australia, Adelaide

David Dallwitz
Shirley and Jacqui at Normanville
1945
linocut
Art Gallery of South Australia, Adelaide

David Dallwitz
Drawing Class at Thebarton Tech
1939
drawing
Art Gallery of South Australia, Adelaide

David Dallwitz
Two Gums
1980
acrylic on board
Art Gallery of South Australia, Adelaide

Erich Buchholz
Planet Orbits
1920
woodcut
National Gallery of Australia, Canberra

Erich Buchholz
Three Gold Circles and Blue Circle
ca. 1935
lithograph
National Gallery of Australia, Canberra

Erich Buchholz
Big Red Square
before 1972
screenprint
National Gallery of Australia, Canberra

Erich Buchholz
Erich Buchholz
1972
lithograph (exhibition poster)
National Gallery of Australia, Canberra

Jeffrey Smart
Matisse at Ashford
2005
oil on canvas
Art Gallery of New South Wales, Sydney

Jeffrey Smart
Second Study for Margaret Olley in the Louvre
1994
oil on canvas
(Margaret Olley was a fellow Australian painter)
Art Gallery of New South Wales, Sydney

Jeffrey Smart
Self Portrait, Procida
1950-51
oil on canvas
(Procida is an Italian island)
National Gallery of Australia, Canberra

Jeffrey Smart
The Bicycle Race (Death of Morandi)
1966
oil on board
(Morandi died of lung cancer in 1964)
National Gallery of Australia, Canberra

Meiosis

Love had him fast but though he fought for breath

He struggled only to possess Another,

The snare forgotten in their little death,

Till you, the seed to which he was a mother,

That never heard of love, through love was free,

While he within his arms a world was holding,

To take the all-night journey under sea,

Work west and northward, set up building.

Cities and years constricted to your scope,

All sorrow simplified though almost all

Shall be as subtle when you are as tall:

Yet clearly in that "almost" all his hope
That hopeful falsehood cannot stem with love
The flood on which all move and wish to move.

– W.H. Auden (1933)