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Ben Shahn The Passion of Sacco and Vanzetti 1931-32 tempera on canvas, mounted on board (Sacco and Vanzetti - executed as anarchist terrorists) Whitney Museum of American Art, New York |
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Ben Shahn California Supreme Court: Mooney Series 1932 gouache on paper (Tom Mooney - imprisoned labor organizer) Hirshhorn Museum, Washington DC |
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Ben Shahn 14th St (New York City) ca. 1932-35 gelatin silver print Archives of American Art, Washington DC |
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Ben Shahn Sheriff's Deputy, Morgantown, West Virginia 1935 gelatin silver print National Museum of American History, Washington DC |
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Ben Shahn Man by the Railroad Track ca. 1935-36 tempera on paper, mounted on board Hirshhorn Museum, Washington DC |
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Ben Shahn Our Friend 1944 lithograph (poster) National Portrait Gallery, Washington DC |
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Ronny Jaques Ben Shahn ca. 1945 gelatin silver print National Portrait Gallery, Washington DC |
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Ben Shahn Brothers 1946 tempera on paper, mounted on board Hirshhorn Museum, Washington DC |
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Ben Shahn Harry Truman and Thomas Dewey 1948 lithograph National Portrait Gallery, Washington DC |
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Ben Shahn Voting Booths 1950 gouache on canvas Smithsonian American Art Museum, Washington DC |
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Ben Shahn Age of Anxiety 1953 tempera on paper, mounted on board Hirshhorn Museum, Washington DC |
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Ben Shahn Conversations 1958 gouache and ink on paper Whitney Museum of American Art, New York |
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Ben Shahn After Titian 1959 tempera and ink on board Smithsonian American Art Museum, Washington DC |
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Ben Shahn Stop H-Bomb Tests 1960 screenprint (poster) Smithsonian American Art Museum, Washington DC |
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Ben Shahn The Social Aspects of Nuclear Anxiety 1964 offset-printed illustration on letterpress booklet Archives of American Art, Washington DC |
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Hans Namuth Ben Shahn in the Studio 1964 gelatin silver print National Portrait Gallery, Washington DC |
Ode Eleven
Ask not ungainly askings of the end
Gods send us, me and thee, Leucothoe;
Nor juggle with the risks of Babylon,
Better to take whatever,
Several, or last, Jove sends us. Winter is winter,
Gnawing the Tyrrhene cliffs with the sea's tooth.
Take note of flavors, and clarity in the wine's manifest.
Cut loose long hope for a time.
We talk. Time runs in envy of us,
Holding our day more firm in unbelief.
– Horace (65-8 BC), translated by Ezra Pound (1963)