Sunday, July 6, 2025

Ben Shahn

Ben Shahn
The Passion of Sacco and Vanzetti
1931-32
tempera on canvas, mounted on board
(Sacco and Vanzetti - executed as anarchist terrorists)
Whitney Museum of American Art, New York


Ben Shahn
California Supreme Court: Mooney Series
1932
gouache on paper
(Tom Mooney - imprisoned labor organizer)
Hirshhorn Museum, Washington DC

Ben Shahn
14th St (New York City)
ca. 1932-35
gelatin silver print
Archives of American Art, Washington DC

Ben Shahn
Sheriff's Deputy, Morgantown, West Virginia
1935
gelatin silver print
National Museum of American History, Washington DC

Ben Shahn
Man by the Railroad Track
ca. 1935-36
tempera on paper, mounted on board
Hirshhorn Museum, Washington DC

Ben Shahn
Our Friend
1944
lithograph (poster)
National Portrait Gallery, Washington DC

Ronny Jaques
Ben Shahn
ca. 1945
gelatin silver print
National Portrait Gallery, Washington DC

Ben Shahn
Brothers
1946
tempera on paper, mounted on board
Hirshhorn Museum, Washington DC

Ben Shahn
Harry Truman and Thomas Dewey
1948
lithograph
National Portrait Gallery, Washington DC

Ben Shahn
Voting Booths
1950
gouache on canvas
Smithsonian American Art Museum, Washington DC

Ben Shahn
Age of Anxiety
1953
tempera on paper, mounted on board
Hirshhorn Museum, Washington DC

Ben Shahn
Conversations
1958
gouache and ink on paper
Whitney Museum of American Art, New York

Ben Shahn
After Titian
1959
tempera and ink on board
Smithsonian American Art Museum, Washington DC

Ben Shahn
Stop H-Bomb Tests
1960
screenprint (poster)
Smithsonian American Art Museum, Washington DC

Ben Shahn
The Social Aspects of Nuclear Anxiety
1964
offset-printed illustration on letterpress booklet
Archives of American Art, Washington DC

Hans Namuth
Ben Shahn in the Studio
1964
gelatin silver print
National Portrait Gallery, Washington DC

Ode Eleven

Ask not ungainly askings of the end
Gods send us, me and thee, Leucothoe;
Nor juggle with the risks of Babylon,
            Better to take whatever,
Several, or last, Jove sends us. Winter is winter,
Gnawing the Tyrrhene cliffs with the sea's tooth. 

Take note of flavors, and clarity in the wine's manifest.
Cut loose long hope for a time.
We talk. Time runs in envy of us,
Holding our day more firm in unbelief. 

– Horace (65-8 BC), translated by Ezra Pound (1963)