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| Agostino Zoppo after Jacopo Sansovino Door Knocker as Triton ca. 1550 bronze Bayerisches Nationalmuseum, Munich |
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| Matteo de' Pasti Portrait of Isotta degli Asti (3rd wife of Sigismondo Malatesta) 1446 bronze medallion Musées d'Art et d'Histoire, Genève |
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| Auguste Rodin First Maquette for The Burghers of Calais 1884 bronze North Carolina Museum of Art, Raleigh |
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| workshop of Riccio (Andrea Briosco) Portrait of Riccio ca. 1532 bronze medallion National Gallery of Art, Washington DC |
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| Giovanni Francesco Susini The Farnese Bull ca. 1630 bronze (after an antique group in Naples) Liechtenstein Museum, Vienna |
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| Francesco Laurana Jean d'Anjou, Duke of Calabria and Lorraine 1464 bronze medallion National Gallery of Art, Washington DC |
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| Andrew Rogers Unfurling 2006 bronze Heide Museum of Modern Art, Bulleen, Australia |
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| Friedrich Hagenauer Giovanni Alessandro Balbiani, Count of Chiavenna (mercenary leader of German troops against French and Italians) 1529 bronze medallion National Gallery of Art, Washington DC |
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| Benvenuto Cellini Portrait of banker and arts patron Bindo Altoviti 1549 bronze Isabella Stewart Gardner Museum, Boston |
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| Pietro Paolo Galeotti Cassandra Marinoni ca. 1552 bronze medallion National Gallery of Art, Washington DC |
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| Jacques Bousseau Warrior bending Bow 1715 bronze National Gallery of Art, Washington DC |
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| Niccolò Fiorentino (Niccolò di Forzore Spinelli) Lodovica Tornabuoni ca. 1485-86 bronze medallion National Gallery of Art, Washington DC |
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| Viktor Hammer Mourning Woman 1966 bronze Wiesbauer Family Grave, Hietzing Cemetery, Vienna |
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| Giovanni Battista Cambi (il Bombarda) Portrait of Leonora, wife of the artist ca. 1565-75 bronze medallion National Gallery of Art, Washington DC |
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| Isaac Witkin Firebird 1983 bronze Smithsonian American Art Museum, Washington DC |
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| Francesco da Sangallo Elena Marsuppini, wife of the artist 1551 bronze medallion National Gallery of Art, Washington DC |
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| Gaston Lachaise Standing Figure ca. 1927 bronze Whitney Museum of American Art, New York |
Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the colour of his hair.
'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the colour that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable colour of his hair.
Oh a deal of pain he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're taking him to justice for the colour of his hair.
Now 'tis oakum for his fingers and the treadmill for his feet,
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labour in the time he has to spare
He can curse the God that made him for the colour of his hair.
– A.E. Housman (1936)