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| Jasper Johns Tango 1955 encaustic on canvas Museum Ludwig, Cologne |
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| Léonard Limosin Portrait of Guy Chabot, Baron de Jarnac ca. 1540-45 enamel on copper Frick Collection, New York |
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| Anonymous French Artist Portrait of a Youth in Antique Dress 17th century oil on canvas Musée d'Art et d'Histoire de Narbonne |
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| Romain Cazes Ariadne Abandoned 1847 oil on canvas Musée Ingres Bourdelle, Montauban |
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| Stuart Davis Self Portrait 1919 oil on canvas Amon Carter Museum, Fort Worth, Texas |
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| Giuseppe Devers after Ary Scheffer The Muse Euterpe ca. 1860 porcelain plaque Dordrechts Museum, Netherlands |
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| Richard Diebenkorn Untitled 1970 lithograph Amon Carter Museum, Fort Worth, Texas |
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| Mark Gertler Portrait of a Young Woman (possibly Dora Carrington) 1912 tempera and oil on canvas Huntington Library and Art Museum, San Marino, California |
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| Bertha E. Jaques Seed Form of Jimson Weed 1909 cyanotype Amon Carter Museum, Fort Worth, Texas |
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| Stephen Kaltenbach The Starlight Bowl 1968-69 ink and crayon on paper Kröller-Müller Museum, Otterlo, Netherlands |
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| Christian Friedrich Reinhold Lisiewski Portrait of Leopold III, Prince of Anhalt-Dessau 1758 pastel on paper Schloss Mosigkau, Dessau |
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| Jan van Eyck Portrait of a Man ca. 1428-29 oil on panel Brukenthal National Museum, Sibiu, Romania |
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| Eugène Jansson Dawn over Riddarfjärden 1899 oil on canvas Prins Eugens Waldemarsudde, Stockholm |
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| Ferdinand Hodler- Transfiguration ca. 1904 oil on canvas Von der Heydt Museum, Wuppertal |
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| Karl Mediz Cypresses 1898 oil on canvas Kunstsammlungen, Chemnitz |
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| Robert Glenn Ketchum Bald Eagle 1985 C-print Amon Carter Museum, Fort Worth, Texas |
On a Portrait of Galen – There was a time, Galen, when, owing to thee, Earth received men mortal and reared them in immortality. The halls of tearful Acheron were bereaved by the force of thy healing hand.
On a Picture of the Physician Iamblichus – This is Iamblichus, sweetest among men, who reached old age without knowing the converse of Aphrodite; but practising medicine and teaching his skill to others, he did not hold out his hand to receive even righteous gain.
On a Picture of the Physician Praxagoras – The son of Phoebus himself, anointing his hand with juice of the all-healing herb, rubbed into thy breast, Praxagoras, the pain-stilling science of medicine. Therefore thou knowest from gentle Hepione herself all woes that spring from long fevers, and what drugs it is fitting to lay on flesh cut by the knife. Had mortals had sufficient of such healers, the boat heavy with the dead would never have crossed the ferry.
On Oribasius the Physician – This is the great physician of the Emperor Julian, divine Oribasius, right worthy of this pious gift; for he had a wise mind like a bee, gathering from this place and that the flowers of former physicians.
On a Statue of Time by Lysippus – A. "Who and whence was the sculptor?" B. "From Sicyon." A. "And his name?" B. "Lysippus." A. "And who art thou?" B. "Time who subdueth all things." A. "Why dost thou stand on tip-toe?" B. "I am ever running." A. "And why hast thou a pair of wings on thy feet?" B. "I fly with the wind." A. "And why dost thou hold a razor in thy right hand?" B. "As a sign to men that I am sharper than any sharp edge." A. "And why does thy hair hang over thy face?" B. "For him who meets me to take me by the forelock." A. "And why, in Heaven's name, is the back of thy head bald?" B. "Because none whom I have once raced by on my winged feet will now, though he wishes it sore, take hold of me from behind." A. "And why did the artist fashion thee?" B. "For your sake, stranger, and he set me up in the porch as a lesson."
On a Statue of Arion – Periander set up here this statue of Arion and the dolphin of the sea that swum together with him when he was perishing. The story says of Arion, "We are killed by men and saved by fish."
– from Book XVI (Epigrams of the Planudean Anthology) in the Greek Anthology, translated and edited by W.R. Paton (1918)







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