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| Pierre-Michel Alix Jean-Paul Marat 1793 color aquatint Clark Art Institute, Williamstown, Massachusetts |
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| Frédéric Bazille Edouard Blau ca. 1869 oil on canvas National Gallery of Art, Washington DC |
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| Giuseppe Boschi Cicero 1793 bronze Ashmolean Museum, Oxford |
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| Philippe de Champaigne Robert Arnauld d'Andilly 1667 oil on canvas Musée du Louvre |
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| William Daniell after George Dance Bennet Langton 1809 drawing (print study) British Museum |
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| Clae Eastgate Carol Ann Duffy 2016 oil on canvas Scottish National Portrait Gallery, Edinburgh |
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| Michele Gordigiani Francesco Silvio Orlandini 1860 oil on canvas Galleria d'Arte Moderna, Florence |
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| Augustus John T.E. Lawrence 1929 oil on canvas Ashmolean Museum, Oxford |
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| Ludovico Lipparini Leopoldo Cicognara 1825 oil on canvas Gallerie dell'Accademia, Venice |
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| Man Ray Marcel Proust 1922 gelatin silver print Metropolitan Museum of Art, New York |
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| Norman McBeath Don Paterson 2002 gelatin silver print Scottish National Portrait Gallery, Edinburgh |
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| Alexander Moffat Muriel Spark 1984 oil on canvas Scottish National Portrait Gallery, Edinburgh |
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| Irving Penn Truman Capote 1948 gelatin silver print Metropolitan Museum of Art, New York |
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| Erasmus Quellinus the Younger Pope Urban VIII Barberini ca. 1630 drawing (print study) British Museum |
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| Alexander Roslin Jean-François Marmontel 1767 oil on canvas Musée du Louvre |
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| Walter Sickert Max Beerbohm ca. 1912 drawing Ashmolean Museum, Oxford |
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| Jean-Baptiste Stouf Michel de Montaigne 1800 marble Musée du Louvre |
Comfort to a Youth that had Lost his Love
What needs complaints,
When she a place
Has with the race
Of saints?
In endless mirth
She thinks not on
What's said or done
In Earth.
She sees no tears,
Or any tone
Of thy deep groan
She hears:
Nor does she mind
Or think on 't now
That ever thou
Wast kind;
But changed above,
She likes not there,
As she did here,
Thy love.
Forbear therefore,
And lull asleep
Thy woes, and weep
No more.
– Robert Herrick (1591-1674)