Litho - IV

Anonymous German Artist
No. 4711 Face Powder
ca. 1905
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Moriz Jung
Plastische Posen
c. 1905-1915
lithograph
(postcard produced by Wiener Werkstätte)
Graphische Sammlung Albertina, Vienna

Maximilian Liebenwein
Pallas Athena
1906
lithograph
Graphische Sammlung Albertina, Vienna

Leopoldo Metlicovitz
Opening of the Simplon Tunnel
1906
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Julius Klinger
Lustige Blätter (magazine)
1909
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Hans Günther Reinstein
Mozart Pianos
1909
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Anonymous Austrian Artist
Veteran Artists of the Chat Noir, Paris -
Three Performances at Saal Ehrbar, Vienna
1910
lithograph (poster)
Graphische-Sammlung-Albertina-Vienna

Hans Rudi Erdt
Die Woche (magazine)
1910
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Géza Faragó
Digestol Glück
1910
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Hollerbaum & Schmidt (printers)
Hohlfeld Roller
(ledger-supporting platform on wheels)
ca. 1910
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Rudolf Kalvach
Inspiration
ca. 1910
lithograph
(postcard produced by Wiener Werkstätte)
Graphische Sammlung Albertina, Vienna

Aristide Maillol
Juno
ca. 1910
lithograph
High Museum of Art, Atlanta

Emil Ranzenhofer
Cig Shoe-Polish Stick
1910
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Oskar Kokoschka
Der Sturm (magazine)
1911
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Ewald Dülberg
Aida - Hamburger Stadt Theater
1912
lithograph (poster)
Graphische Sammlung Albertina, Vienna

Egon Schiele
Self Portrait
1912
lithograph
Städtisches Museum, Braunschweig

But the Athenians stirred not from Aegina; but those that remained at Athens, both young and old, under the conduct of Myronides went to Megara; and after they had fought with doubtful victory, they parted asunder again with an opinion on both sides not to have had the worse in the action.  And the Athenians, who notwithstanding had rather the better, when the Corinthians were gone away erected a trophy.  But the Corinthians, having been reviled at their return by the ancient men of the city, about twelve days after came again prepared and set up their trophy likewise, as if the victory had been theirs.  Hereupon the Athenians sallying out of Megara with a huge shout both slew those that were setting up the trophy and, charging the rest, got the victory.

The Corinthians, being overcome, went their way; but a good part of them, being hard followed and missing their way, lighted into the enclosed ground of a private man, which fenced with a great ditch had no passage through.  Which the Athenians perceiving, opposed them at the place by which they entered with their men of arms and, encompassing the ground with their light armed soldiers, killed those that were entered with stones.  This was a great loss to the Corinthians, but the rest of their army got home again.  

– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)