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| Thomas Struth Hannah Erdrich Hartmann & Jana Maria Hartmann, Düsseldorf 1987 gelatin silver print Tate Modern, London |
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| Ed Paschke Cosmetica 1987 oil on linen Hall Collection, Schloss Derneburg, Germany |
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| Raghubir Singh Barber and Goddess Kali, West Bengal 1987 C-print Art Institute of Chicago |
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| Laurie Simmons Walking Camera 1987 gelatin silver print Institute of Contemporary Art, Boston |
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| Lucia Woods Lindley Sotheby Sale, Wilsford Manor, Wiltshire, Estate of Stephen Tennant 1987 gelatin silver print Art Institute of Chicago |
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| Bruce Weber Jerome and his Girlfriend, Paris Studio 1987 gelatin silver print Victoria & Albert Museum, London |
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| John Walker Form and Gardenia no. 1 1987 oil on canvas North Carolina Museum of Art, Raleigh |
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| Cindy Sherman Untitled #179 1987 C-print Art Institute of Chicago |
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| Mattie Lou O'Kelley Packing to Move 1987 oil on canvas Art Museums of Colonial Williamsburg, Virginia |
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| Judy Rifka Pomegranates 1987 lithograph Lowe Art Museum, University of Miami |
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| Christine Osinski Girls in Locker Room 1987 inkjet print New Britain Museum of American Art, Connecticut |
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| Arnold Newman Twyla Tharp 1987 gelatin silver print Art Institute of Chicago |
-Scottish-Symphony-%2378-1987-dye-transfer-print-San-Diego-Museum-of-Art.jpg){kind=spacer} |
| Michael Ruetz Callanish: Scottish Symphony #78 1987 dye transfer print San Diego Museum of Art |
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| John O'Reilly To-Day 1987 Polaroid collage North Carolina Museum of Art, Raleigh |
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| Robert Motherwell Untitled (B.376) 1987 lithograph Tacoma Art Museum, Washington State |
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| Anne Rowland Untitled (Judy Garland) 1987 carbon print Los Angeles County Museum of Art |
Hunting Season
A shot from crag to crag
The tell-tale echoes trundle;
Some feathered he-or-she
Is now a lifeless bundle
And, proud into a kitchen, some
Example of our tribe will come.
Down in the startled valley
Two lovers break apart:
He hears the roaring oven
Of a witch's heart;
Behind his murmurs of her name
She sees a marksman taking aim.
Reminded of the hour
And that his chair is hard,
A deathless verse half done,
One interrupted bard
Postpones his dying with a dish
Of several suffocated fish.
– W.H. Auden (1952)