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| Peter Paul Rubens The Holy Women at the Sepulchre ca. 1611-14 oil on panel Norton Simon Museum, Pasadena, California |
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| Peter Paul Rubens Christ and the Woman taken in Adultery 1614 oil on panel Musées Royaux des Beaux-Arts de Belgique, Brussels |
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| Peter Paul Rubens St Cecilia ca. 1639-40 oil on panel Gemäldegalerie, Staatliche Museen zu Berlin |
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| Peter Paul Rubens St Francis receiving the Stigmata 1633 oil on canvas Museum of Fine Arts, Ghent |
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| Sanford Roth Edith Sitwell ca. 1959 gelatin silver print Los Angeles County Museum of Art |
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| Sanford Roth Leonor Fini ca. 1952 gelatin silver print Los Angeles County Museum of Art |
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| Sanford Roth Marie Laurencin ca. 1960 gelatin silver print Los Angeles County Museum of Art |
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| Sanford Roth Bruno Caruso ca. 1947 gelatin silver print Art Institute of Chicago |
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| Robert Rauschenberg Untitled 1968 screenprint Moderna Museet, Stockholm |
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| Robert Rauschenberg Storyline I 1968 lithograph Wichita Art Museum, Kansas |
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| Robert Rauschenberg and Susan Weil Sun Dancer ca. 1950 cyanotype Menil Collection, Houston |
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| Robert Rauschenberg and Susan Weil Balance ca. 1950 cyanotype Menil Collection, Houston |
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| William Marshall Craig Baking or Boiling Apples ca. 1805 hand-colored engraving Art Gallery of Greater Victoria, British Columbia |
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| William Marshall Craig Band Boxes ca. 1805 hand-colored engraving Art Gallery of Greater Victoria, British Columbia |
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| William Marshall Craig Hair Brooms ca. 1805 hand-colored engraving Art Gallery of Greater Victoria, British Columbia |
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| William Marshall Craig Mackerel ca. 1805 hand-colored engraving Art Gallery of Greater Victoria, British Columbia |
from Part Two of The Age of Anxiety
Quant said:
It is here, now.
For the huge wild beast of the Unexpected
Leaps on the lax recollecting back;
Unknown to him, binoculars follow
The leaping lad; lightning at noonday
The leaping lad; lightning at noonday
Swiftly stooping to the summer-house
Engraves its disgust on engrossed flesh,
And at tea-times through tall french windows
Hurtle anonymous hostile stones.
No soul is safe. Let slight infection
Disturb a trifle some tiny gland,
And Caustic Keith grows kind and silly
Or Dainty Daisy dirties herself.
We are mocked by unmeaning; among us fall
Aimless arrows, hurting at random
As we plan to pain.
– W.H. Auden (1944-46)















